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Bertrand Russell

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[Messrs Ogden and Richards] will reply that they are considering the meaning of a "thought," not of a word. A "thought" is not a social phenomenon, like speech, and therefore does not have the two sides, active and passive, which can be distinguished in speech. I should urge, however, that all the reasons which led our authors to avoid introducing images in explaining meaning should have also led them to avoid introducing "thoughts." If a theory of meaning is to be fitted into natural science as they desire, it is necessary to define the meaning of words without introducing anything "mental" in the sense in which what is "mental" is not subject to the laws of physics. Therefore, for the same reasons for which I now hold that the meaning of words should be explained without introducing images — which I argued to be possible in the above-quoted passage — I also hold that meaning in general should be treated without introducing "thoughts," and should be regarded as a property of words considered as physical phenomena. Let us therefore amend their theory. They say: "'I am thinking of A' is the same thing as 'My thought is being caused by A.'" Let us substitute: "'I am speaking of A' is the same thing as 'My speech is being caused by A.'" Can this theory be true?

 
Bertrand Russell

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A third kind of semantic awareness is an extension of the consciousness of abstracting, namely an awareness of varying levels of abstraction. Words vary in the degree to which they correspond to verifiable referents. Some words are relatively more abstract or general, and some words are relatively more concrete or specific. Related to this fact is a fourth kind of semantic awareness, which might be called the "direction of meaning." That is, with increasingly abstract or general words, (i.e., those farther removed from operationally verifiable referents), the direction of meaning shifts accordingly from "outside" to "inside." With increasingly concrete or specific words (i.e., those whose referents can be more easily verified operationally), the direction of meaning shifts accordingly from "inside" to "outside." The conventional semantic terminology for these directions of meaning are intensional (internal or inside) and extensional (external or outside). Closely bound to these directions of meaning are, of course, different kinds of meaning. The primary semantic distinction made in kinds of meaning is between connotation (intensional, subjective, personal meaning) and denotation (extensional, objective, social meaning).

 
Neil Postman
 

"I seek the meaning of existence." said the stranger.
"You are of course, assuming." said the Master, "that existence has a meaning."
"Doesn't it?"
"When you experience existence as it is — not as you think it is — you will discover that your question has no meaning."

 
Anthony de Mello
 

There still shines the most important nuance by virtue of which the noble felt themselves to be men of a higher rank. They designate themselves simply by their superiority in power (as "the powerful," "the masters," "the commanders") or by the most clearly visible signs of this superiority, for example, as "the rich," "the possessors" (this is the meaning of 'Arya,' and of corresponding words in Iranian and Slavic).

 
Friedrich Nietzsche
 

"From the perspective of scripting theory, same-gender erotic preferences are elicited and shaped by the systems of meaning offered for conduct in a culture. What is usually construed as culture against "man" or culture against nature is thus actually conflict among differently enculturated individuals or groups.
What is required is a constant recognition that acts of usage and explanation are acts of social control in the strong sense, that "homosexual" and "homosexuality" are names that have been imposed on some persons and their conduct by other persons - and that this imposition has carried the right of the latter to tell the former the origins, meaning, and virtue of their conduct."

 
John Gagnon
 

The primary meaning of the words "modern," "modernity," with which recent times have baptised themselves, brings out very sharply that feeling of "the height of time" which I am at present analysing. "Modern" is what is "in the fashion, "that is to say, the new fashion or modification which has arisen over against the old traditional fashions used in the past. The word "modern" then expresses a consciousness of a new life, superior to the old one, and at the same time an imperative call to be at the height of one's time. For the "modern" man, not to be "modern" means to fall below the historic level.

 
Jose Ortega y Gasset
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