...you could pick any two writers of equal skill, have them read each other's work, and they would both instantly proclaim each other the champion. Unless one of them happens to be Stephen King, because he's a jerk. (God Ran Out of Faces)
Ben Croshaw
I'd first read Lovecraft when I was a young adolescent, which is perhaps the best time to read Lovecraft. Now, I admire him for his style, his monomaniacal precision, the 'weirdness' of his imagination, and the underlying, intransigent tragic vision that informs all of his work. He's an American original, whose influences on subsequent writers in the field (Stephen King, for instance) is all-pervasive.
H. P. Lovecraft
What is chiefly needed is skill rather than machinery. The flight of the buzzard and similar sailors is a convincing demonstration of the value of skill and the partial needlessness of motors.
It is possible to fly without motors, but not without knowledge and skill. This I conceive to be fortunate, for man, by reason of his greater intellect, can more reasonably hope to equal birds in knowledge than to equal nature in the perfection of her machinery...Wilbur Wright
I wanted to proclaim a return to simplicity by ways of an immediate art without any subtlety, comprehensible to all. I love (Louis ) David, because he is so anti-impressionist.. ..I love the dryness in his work and also in that of Ingres. That was my way, and it touched me, instantly.
Fernand Leger
Basically, I wish I could read the way I used to read. I did not dissect as I read. I simply became immersed in the story and let it sweep me happily along. Now I cannot help but dissect. I try not to, but I do anyway. I cannot help but see "flaws" and all the ways I think I could have done this better. I would suspect that all writers are like this, to one degree or another. Writers are the gods of their universes, and we are never at a loss to suggest how some other god might better run herhisits universe/s. At least, this is true of me. It is one reason I read so much less fiction than I did fifteen years ago. And, actually, stage magic is not a bad metaphor for this problem I now have as a reader. I am precisely like a magician watching another magician's act. I should be suckered in with the rest of the crowd. I passionately desire to have the wool pulled over my eyes. Only it very rarely happens, as I'm too busy figuring out how it's all being done and how I could improve upon it ... I just can't help but read it as a novelist. This is, from my perspective, unfortunate. I don't want to know how the trick works. I want to be amazed. I want to be convinced of the magic. But this is what I do. I spend my days gluing words together to try and fool other people. And I can't help but try to see how other writers, especially writers who have found more commercial success than have I, make it work. Sadly, I don't even find the mechanics & theory of fiction writing remotely interesting, which makes this doubly frustrating. It's just a reflex.
Caitlin R. Kiernan
In my country, at that time, being a champion of chess was like being a King. At that time I was a King … and when you are King you feel a lot of responsibility, but there is nobody there to help you.
Boris Spassky
Croshaw, Ben
Crosland, Anthony
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