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We had one night where I wanted a bunch of percussion noises at the end of song. We went into this room with three cases of percussion. Everybody just grabbed different shakers and things and was just throwing them around.
A few of the guys in the band got a little carried away and I just remember looking up and somebody was running into a wall. Another guy was leaping head first about three of four feet in the air. But other than that it was pretty sedated.
--
The Aquarian Weekly, 15 December 1999

 

Beck

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There were 183 of us freshmen, and a bowling ball hanging from the three-story ceiling to just above the floor. Feynman walked in and, without a word, grabbed the ball and backed against the wall with the ball touching his nose. He let go, and the ball swung slowly 60 feet across the room and back — stopping naturally just short of crushing his face. Then he took the ball again, stepped forward, and said: "I wanted to show you that I believe in what I'm going to teach you over the next two years."

 

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Now he took the music of like Mandrill, like "Fencewalk", certain disco records that had funky percussion breaks like The Incredible Bongo Band when they came out with "Apache" and he just kept that beat going. It might be that certain part of the record that everybody waits for]]— they just let their inner self go and get wild. The next thing you know the singer comes back in and you'd be mad.

 

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"Now he took the music of like Mandrill, like "Fencewalk", certain disco records that had funky percussion breaks like The Incredible Bongo Band when they came out with "Apache" and he just kept that beat going. It might be that certain part of the record that everybody waits for--they just let their inner self go and get wild. The next thing you know the singer comes back in and you'd be mad."

 

Afrika Bambaataa