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There I also met the Spanish priest Antonio Llidó. He was accused of having hidden and protected people of the MIR who were persecuted. Antonio Llidó never denied this, saying that he could not lie to them. The guards would laugh at him, and commented that when Antonio Llidó was being tortured he was asked to name people, and he would say that he could not give them the names. 'And why not?' the guards asked. 'Because of my principles,' Antonio replied in his Spanish accent, which the guards mockingly imitated.
--
Fellow detainee, Rosalia Martinez Cereceda sworn testimony on December 19, 1999.

 

Antonio Llido

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Between September 26 and September 30 of 1974 Fr. Antonio Llidó Mengual was placed in our cell. Over the course of two or three days, Fr. Llidó was taken from the cell many times for interrogation. Each time he returned in worse physical condition. After three days he moved with great difficulty due to the pain inflicted in torture. His shirt was stained in blood and he apparently had internal hemorrhages and torn muscles. On one occasion a doctor who worked for the DINA examined his vital signs and recommended immediate hospitalization. In response to the doctor's urgent recommendation, the official whose last name was Morel [Marcelo Moren Brito] responded that this was impossible, as the interrogations had not finished. The doctor insisted in vain, expressing his sense of powerlessness and indignation.

 

Antonio Llido

 

'Tis God gives skill,
But not without men's hands: He could not make
Antonio Stradivari's violins
Without Antonio.

 

George Eliot

 

Chile was highly politicized in those years. Working classes had a great yearning for justice. And with reason, because many social abuses existed. Antonio Llidó's life was closely tied to groups of the poorest workers. Within that world of working people, various political groups advocated changes for a new society. He associated with many of them and had good relations with these groups that had such a strong yearning for justice.

 

Antonio Llido

 

Because there was no industry or parts for Latin women when I came here, there was really no competitiveness. Jennifer Lopez and I were the first, and I think Jennifer was my partner at the beginning. I think it was important for others to see two of us, because maybe then we could be thought of as a social phenomenon. Because she doesn't have a foreign accent, Jennifer tried out for parts I couldn't get. There are now others with accents — Penelope Cruz, Antonio Banderas — but mind you, Antonio and Penelope are from Europe, not Mexico. It's only now that the taboo on Mexicans is lifting as Americans realize we're a little bit more than migrant workers. I hear some Latinos say, "Oh, no, no, no, the cliché that we are gang members, that's so bad — we have to show everyone that we're family people." Hello? That's another cliché! It's getting yourself out of one box to put yourself in another. The way to fight a cliché is not by creating another one. What breaks the cliché is the emergence of strong individuals. That's the way to say, "You don't really know us — so when you look at me, or when you look at my sister, just be completely open for whatever. You have no clue who we are!"
Here people don't know what box to put me into. I'm not from the Bronx, I'm not from East L.A., so they don't know how to take me or what to call me!

 

Salma Hayek

 

The original context is that a husband might lock his wife in the house to prevent her adulteries, but she is cunning and will start with the guards; hence, who guards the guards? The phrase has come to be applied broadly to people or organisations acting against dishonesty or corruption, esp. in public life. See Quis custodiet ipsos custodes? at Wikipedia.

 

Juvenal