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Antonin Dvorak

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The music of the people is like a rare and lovely flower growing amidst encroaching weeds. Thousands pass it, while others trample it under foot, and thus the chances are that it will perish before it is seen by the one discriminating spirit who will prize it above all else. The fact that no one has as yet arisen to make the most of it does not prove that nothing is there.
--
"Music in America", Harper's Monthly Magazine, February 1895.

 
Antonin Dvorak

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The most important point is — and remains — not to take oneself seriously. There is no past, and, certainly, no future. There are but a few years — ten at the most. You pass your days as best you can, doing as little harm as possible. Let the desires be few and treat expectations as weeds. You read, scribble as the spirit moves you, hear some new music, see every week the few people you are attached to. Again: guard yourself, above all, against self-dramatization, a feeling of importance, and the sprouting of expectations.

 
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In its conception the literature prize belongs to days when a writer could still be thought of as, by virtue of his or her occupation, a sage, someone with no institutional affiliations who could offer an authoritative word on our times as well as on our moral life. (It has always struck me as strange, by the way, that Alfred Nobel did not institute a philosophy prize, or for that matter that he instituted a physics prize but not a mathematics prize, to say nothing of a music prize - music is, after all, more universal than literature, which is bound to a particular language.) The idea of writer as sage is pretty much dead today. I would certainly feel very uncomfortable in the role.

 
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