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At lucky moments this (suggestive) emanation (of the painting, fh.) could overwhelm the spectator in such a way, that because of all sorts of associations in his thinking , he could finally be taken to those areas which also had moved me so deeply and made me think I should draw the attention of others to it. (1988).
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T?pies, Werke auf Papier 1943 – 2003, Achim Sommer, Kunsthalle Emden, Altana 2004, p. 26

 

Antoni Tapies

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It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one. Usually I draw in relation to my painting, what I am working on at the time. On a lucky day a surprising balance of forms and spaces will appear and I feel the drawing making itself, the image taking hold. This in turn moves me towards painting -anxious to get to the same place, with the actuality of paint and light.

 

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