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Anne-Therese de Marguenat de Courcelles

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Never allow yourself any follies but those which will bring you great pleasure.
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This phrase does not appear in Mme de Lambert’s collected works; it was quoted in a biography of the Comte de Plélo in 1876, and repeated by Friedrich Nietzsche in Beyond Good and Evil (1886).
--
E. J. B. Rathery. Le comte de Plélo, un Gentilhomme français au dix-huiti?me si?cle ; Guérrier, littérateur et diplomate. Paris: Plon, 1876. p. 29.

 
Anne-Therese de Marguenat de Courcelles

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I shall be most grateful to the gods if I am not disappointed in the opinion which I have of you. For, while we find that the great majority of other men seek the society of those friends who join them in their follies and not of those to admonish them, just as they prefer the most pleasant to the most wholesome, you, I think, are minded otherwise as I judge from the industry you display in your general education. For when one sets for himself the highest standard of conduct, it is probable that in his relation to others he will approve only of those who exhort him to virtue. But most of all you would be spurred on to strive for noble deeds if you should realize that it is from them most of all that we also derive pleasure in the true sense. For while the result of indolence and love of surfeit is that pain follows on the heels of pleasure, on the other hand, devoted toil in the pursuit of virtue, and self-control in the ordering of one's life always yield delights that are pure and more abiding. In the former case we experience pain following upon pleasure, in the latter we enjoy pleasure after pain.

 
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He was a singularly handsome man, and a great figurehead. But he was not popular. The undergraduates resented his treatment of them as schoolboys; he could not quite shake off the schoolmaster attitude of his Westminster days, and this led to some follies, and worse than follies. Rebellion was rife, the lecture room was gutted, and the furniture destroyed; a kettle of gunpowder with a fuse attached to it was hung upon the door of the deanery, but was fortunately discovered in time.

 
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To thee, when thou didst try to conceive of them, the ways of the days to come seemed follies scarce to be thought of; yet shall they come to be familiar things, and an order by which every man liveth, ill as he liveth, so that men shall deem of them, that thus it hath been since the beginning of the world, and that thus it shall be while the world endureth... Yet in time shall this also grow old, and doubt shall creep in, because men shall scarce be able to live by that order, and the complaint of the poor shall be hearkened, no longer as a tale not utterly grievous, but as a threat of ruin, and a fear. Then shall these things, which to thee seem follies, and to the men between thee and me mere wisdom and the bond of stability, seem follies once again; yet, whereas men have so long lived by them, they shall cling to them yet from blindness and from fear; and those that see, and that have thus much conquered fear that they are furthering the real time that cometh and not the dream that faileth, these men shall the blind and the fearful mock and missay, and torment and murder: and great and grievous shall be the strife in those days, and many the failures of the wise, and too oft sore shall be the despair of the valiant; and back-sliding, and doubt, and contest between friends and fellows lacking time in the hubbub to understand each other, shall grieve many hearts and hinder the Host of the Fellowship: yet shall all bring about the end, till thy deeming of folly and ours shall be one, and thy hope and our hope; and then — the Day will have come.

 
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It is a good thing
To escape from death, but it is not great pleasure
To bring death to a friend.

 
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It was left by Aristoxenus, who with great ability and labour classified and arranged in it the different modes. In accordance with it, and by giving heed to these theories, one can easily bring a theatre to perfection, from the point of view of the nature of the voice, so as to give pleasure to the audience.

 
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