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And now my cross is all supported, —
Part on my Lord, and part on me;
But as He is so much the stronger,
He seems to bear it — I go free.
--
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 169.

 

Anna Bartlett Warner

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And you can't part a boy from his father,
You can't part a boy from his dad,
You can't part a Scotchman from money
No matter how many he's had.
You can't part the skin of a sausage
Or a dad from his fond son and heir,
And you can't part the hair on a bald-headed man
For there'll be no parting there.

 

Billy Bennett

 

"The work of men" — and what is that? Well, we may any of us know very quickly, on the condition of being wholly ready to do it. But many of us are for the most part thinking, not of what we are to do, but of what we are to get; and the best of us are sunk into the sin of Ananias, and it is a mortal one — we want to keep back part of the price; and we continually talk of taking up our cross, as if the only harm in a cross was the weight of it — as if it was only a thing to be carried, instead of to be — crucified upon. "They that are Christ's have crucified the flesh, with the affections and lusts."

 

John Ruskin

 

You are white —
yet a part of me, as I am a part of you.
That’s American.
Sometimes perhaps you don’t want to be a part of me.
Nor do I often want to be a part of you.
But we are, that’s true!
As I learn from you,
I guess you learn from me —
although you’re older — and white —
and somewhat more free.

 

Langston Hughes

 

Pain is a part of life. Sometimes it's a big part, and sometimes it isn't, but either way, it's part of the big puzzle, the deep music, the great game. Pain does two things: It teaches you, tells you that you're alive. Then it passes away and leaves you changed. It leaves you wiser, sometimes. Sometimes it leaves you stronger. Either way, pain leaves its mark, and everything important that will ever happen to you in life is going to involve it in one degree or another.

 

Jim Butcher

 

My book is different.
In case you hadn't noticed, the story I'm telling is a little different. It's a little shy on the Aristotelian unities. It doesn't follow the classic Hollywood three-act structure. It's not like a five-act Shakespearean play. It's not like a Harlequin romance.
So what *is* the structure then? F**k if I know. That's part of what's taking me so long to figure out. As far as I can tell, my story is part autobiography, part hero's journey, part epic fantasy, part travelogue, part faerie tale, part coming of age story, part romance, part mystery, part metafictional-nested-story-frame-tale-something-or-other.
I am, quite frankly, making this up as I go. If I get it right, I get something like The Name of the Wind. Something that makes all of us happy.
But if I f**k it up, I'll end up with a confusing tangled mess of a story.
Now I'm not trying to claim that I'm unique in this. That I'm some lone pioneer mapping the uncharted storylands. Other authors do it too. My point is that doing something like this takes more time that writing another shitty, predictable Lord of the Rings knockoff.
Sometimes I think it would be nice to write a that sort of book. It would be nice to be able to use those well-established structures like a sort of recipe. A map. A paint-by-numbers kit.
It would be so much easier, and quicker. But it wouldn't be a better book. And it's not really the sort of book I want to write.

 

Patrick Rothfuss