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Andranik Margaryan

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Russia is not an enemy. It is a friendly neighboring state and we have nothing to fear as we are handing our companies over to Russian ownership.
--
[November 1, 2006]

 
Andranik Margaryan

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I realise that 2008 will be an important test for Russia, and not an easy one.
At the same time, the Constitution of the Russian Federation states that the President, the head of state, is elected for four years through direct secret ballot and cannot stay in office for more than two consecutive terms.
I am not indifferent of course to the question of who will take in their hands the destiny of the country I have devoted my life to serving. But if each successive head of state were to change the Constitution to suit them, we would soon find ourselves without a state at all. I think that Russia's different political forces are sufficiently mature to realise their responsibility to the people of the Russian Federation. In any case, the person who receives the votes of the majority of Russian citizens will become the President of the country.

 
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Every artist works within a tradition. I am a native of Russia. My Russian soul has always been close to the art of old Russia, the Russian icons, Byzantine art, the mosaics in Ravenna, Venice, Rome, and to Romanesque art. All these artworks produced a religious vibration in my soul, as I sensed in them a deep spiritual language. This art was my tradition.

 
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If Russian painters were condemned to become the pupils of the West they were, I think, rather unfaithful ones by their very nature. The best Russian realist conflicts with the realism of Courbet. The most authentic Russian Impressionism leaves on perplexed if one compares it with Monet and Pisarro. Here, in the Louvre, before the canvases of Manet, Millet and others, I understood why my alliance with Russia and Russian art did not take root. Why my language itself is foreign to them. Why people do not place confidence in me. Why the artistic circles fail to recognize me. Why in Russia I am entirely useless.. ..In Paris, it seemed to me that I was discovering everything, above all a mastery of technique.. ..It was not in technique alone that I sought the meaning of art then. It was as if the gods had stood before me.. ..I had the impression that we are still only roaming on the surface of matter, that we are afraid to plunge into chaos, to shatter and overthrow beneath our feet the familiar surface. (on his arrival in Paris in 1910, fh)

 
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