Scriabin always said that everything within his later compositions was strictly according to 'law.' He said that he could prove this fact. However, everything seemed to conspire against his giving a demonstration. One day he invited Taneyev and I to his apartment so he could explain his theories of composition. We arrived and he dilly-dallied for a long time. Finally, he said he had a headache and would explain it all another day. That 'another day' never came.
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Faubion Bowers (1973), The New Scriabin, p.129. New York: St. Martin's Press.Alexander Scriabin
» Alexander Scriabin - all quotes »
Ether is, in effect, a merely hypothetical entity, valuable only in so far as it explains that which by means of it we endeavor to explain — light, electricity, or universal gravitation — and only so far as these facts cannot be explained in any other way. In like manner the idea of God is also an hypothesis, valuable only in so far as it enables us to explain that which by means of it we endeavor to explain — the essence and existence of the Universe — and only so long as these cannot be explained in any other way. And since in reality we explain the Universe neither better nor worse with this idea than without it, the idea of God, the supreme petitio principii, is valueless.
Miguel de Unamuno
Everybody who has ever worked for a corporation knows that corporations conspire all the time. Politicians conspire all the time, pot-dealers conspire not to get caught by the narcs, the world is full of conspiracies. Conspiracy is natural primate behavior.
Robert Anton Wilson
Everyone wants to understand painting. Why don’t they try to understand the song of the birds? Why do they love a night, a flower, everything which surrounds man, without attempting to understand them? Whereas where painting is concerned, they want to understand. Let them understand above all that the artist works from necessity; that he, too, is a minute element of the world to whom one should ascribe no more importance than so many things in nature which charm us but which we do not explain to ourselves. Those who attempt to explain a picture are on the wrong track most of the time. Gertrude Stein, overjoyed, told me some time ago that she had finally understood what my picture represented: three musicians. It was a still-life!
Pablo Picasso
Well, evolution is a theory. It is also a fact. And facts and theories are different things, not rungs in a hierarchy of increasing certainty. Facts are the world's data. Theories are structures of ideas that explain and interpret facts. Facts do not go away while scientists debate rival theories for explaining them. Einstein's theory of gravitation replaced Newton's, but apples did not suspend themselves in mid-air pending the outcome. And human beings evolved from apelike ancestors whether they did so by Darwin's proposed mechanism or by some other, yet to be discovered. [...] Evolutionists make no claim for perpetual truth, though creationists often do (and then attack us for a style of argument that they themselves favor). In science, “fact” can only mean “confirmed to such a degree that it would be perverse to withhold provisional assent.” I suppose that apples might start to rise tomorrow, but the possibility does not merit equal time in physics classrooms.
Stephen Jay Gould
Now let acknowledge the fact that to explain the meaning of painting is difficult. And when the form and the content are really new, there is not even a vocabulary with which to attempt to explain the new work. This is a problem for critics and a difficult problem. I think it is about time for the critics to face this problem, as well as the fact that there are a few new forms and ideas in modern painting, that these have validity, that they are here to stay and will be developed whether opposed or not... They should investigate the serious ideas underlying the painting which they malign. (his comment on the attacks of critics on abstract art, 1948)
Adolph Gottlieb
Scriabin, Alexander
Scriver, Christian
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