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"Being an artist is more of a mindset, a way of seeing things; it is no longer so much about producing something."
--
Hickley, Catherine. “Ai Weiwei, Nursing Head Wound, Sharpens Criticism: Review.” Bloomberg, October 14, 2009. http://www.bloomberg.com/apps/news?pid=newsarchive&sid=ac5W2eD3vmD4

 

Ai Weiwei

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"It became like a symbolic thing, to be “an artist.” After Duchamp, I realized that being an artist is more about a lifestyle and attitude than producing some product."

 

Ai Weiwei

 

I react to what is necessary. I would like to eschew any formula. There are some things where the government is absolutely inevitable, which we cannot get along without comprehensive state action. But there are many things — producing consumer goods, producing a wide range of entertainment, producing a wide level of cultural activity — where the market system, which independent activity is also important, so I react pragmatically. Where the market works, I'm for that. Where the government is necessary, I'm for that. I'm deeply suspicious of somebody who says, "I'm in favor of privatization," or, "I'm deeply in favor of public ownership." I'm in favor of whatever works in the particular case.

 

John Kenneth Galbraith

 

Marie falls back upon her idea, obdurately, and says, "A woman only lives by love and for love. When she's no longer good for that she's no longer anything."
She repeats, "You see — I'm nothing any more."
Ah, she is at the bottom of her abyss! She is at the extremity of a woman's mourning! She is not thinking only of me. Her thought is higher and vaster. She is thinking of all the woman she is, of all that love is, of all possible things when she says, "I'm no longer anything." And I — I am only he who is present with her just now, and no help whatever is left her to look for from any one.
I should like to pacify and console this woman who is gentleness and simplicity and who is sinking there while she lightly touches me with her presence — but exactly because she is there I cannot lie to her, I can do nothing against her grief, her perfect, infallible grief.
"Ah!" she cries, "if we came to life again!"

 

Henri Barbusse

 

It's only when you become love — in other words, when you have dropped your illusions and attachments — that you will "know." As you identify less and less with the "me," you will be more at ease with everybody and with everything. Do you know why? Because you are no longer afraid of being hurt or not liked. You no longer desire to impress anyone. Can you imagine the relief when you don't have to impress anybody anymore? Oh, what a relief. Happiness at last! You no longer feel the need or the compulsion to explain things anymore. It's all right. What is there to be explained? And you don't feel the need or compulsion to apologize anymore. I'd much rather hear you say, "I've come awake," than hear you say, "I'm sorry." I'd much rather hear you say to me, "I've come awake since we last met; what I did to you won't happen again," than to hear you say, "I'm so sorry for what I did to you."

 

Anthony de Mello

 

There is, I think, no more nutritive or suggestive truth... than that of the perfect dependence of the "moral" sense of a work of art on the amount of felt life concerned in producing it. The question comes back thus, obviously, to the kind and the degree of the artist's prime sensibility, which is the soil out of which his subject springs.

 

Henry James