"I think all aesthetic judgments—all the aesthetic choices we are making—are moral choices. They cannot escape the moral dimension in the broader sense. It has to relate to the philosophical understanding of who we are and how so-called “art and culture” functions in today’s world."
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Worrall, Julian. “Escape from Propaganda.” Japan Times, July 31, 2009. http://search.japantimes.co.jp/cgi-bin/fa20090731a1.htmlAi Weiwei
"We live today in a world in which nobody believes choices should have consequences. But may I tell you the great secret that our culture seeks to deny? You cannot escape the consequences of your choices. Time runs in only one direction."
Stephen L. Carter
In the best painting as in authentic poetry one is aware of moral pressures exerted..choices are important,moral pressure exists to make right and wrong choices.
Stanley Kunitz
Let me first explain, then, what I mean by moral and moral science. A moral or ethical proposition, is a statement about a rank order of preference among alternatives, which is intended to apply to more than one person. A preference which applies to one person only is a taste. Statements of this kind are often called "value judgments." If someone says, "I prefer A to B," this is a personal value judgment, or a taste. If he says, "A is better than B," there is an implication that he expects other people to prefer A to B also, as well as himself. A moral proposition then is a "common value".
Kenneth Boulding
It is an assumption that there is always one single dimension for assessing persons and their actions that has canonical priority. This is the dimension of moral evaluation; “good/evil” is supposed always to trump any other form of evaluation, but that is an assumption, probably the result of the long history of the Christianisation and then gradual de-Christianisation of Europe, which one need not make. Evaluation need not mean moral evaluation, but might include assessments of efficiency, ... simplicity, perspicuousness, aesthetic appeal, and so on.
Raymond Geuss
"Purity" of and in art — any art, including music and dance — is an illusory notion, of course. It may be remotely conceivable or imaginable, but it can't be realized because it can't be recognized any more than a "pure" human being or a "pure" (or, for that matter, gratuitous) act can be. All the same, for Western art in its Modernist phase "purity" has been a useful idea and ideal, with a kind of logic to it that has worked, and still works, to generate aesthetic value and maintain aesthetic standards as nothing else in our specializing culture has over the last hundred-odd years.
Clement Greenberg
Weiwei, Ai
Weldon, Fay
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