Yquotes.com

 

"Now he took the music of like Mandrill, like "Fencewalk", certain disco records that had funky percussion breaks like The Incredible Bongo Band when they came out with "Apache" and he just kept that beat going. It might be that certain part of the record that everybody waits for--they just let their inner self go and get wild. The next thing you know the singer comes back in and you'd be mad."
--
Afrika Bambaataa, quoted in David Toop (1991). Rap Attack 2: African Rap To Global Hip Hop, p.60. New York. New York: Serpent's Tail. ISBN 1852422432.

 

Afrika Bambaataa

» Afrika Bambaataa - all quotes »

Similar quotes

 

Now he took the music of like Mandrill, like "Fencewalk", certain disco records that had funky percussion breaks like The Incredible Bongo Band when they came out with "Apache" and he just kept that beat going. It might be that certain part of the record that everybody waits for]]— they just let their inner self go and get wild. The next thing you know the singer comes back in and you'd be mad.

 

DJ Kool Herc

 

For the record,
"You'll Always Be a Part Of Me" no matter what you do,
For the record,
can't nobody say I didn't give "My All" to you,
For the record,
I told you "Underneath The Stars" that you "Belong" to me,
For the record,
It's obvious that we just "Can't Let Go" of us "Honey".

 

Mariah Carey

 

Imagine if a friend, or even a son or brother, told you, "Hey, guess what I did last night? I stole a car and then I stole a cop car, I shot at some cops (presumably family men), and resisted arrest every step of the way." My response would be: A) "I hope they beat your ass"; B) "Gee, did they beat your ass?"; C) "How come they didn't beat your ass?"; or D) "Come with me right now so I can take you down to the station so they can beat your ass." There is no E) none of the above. (July 17, 2000)

 

Jonah Goldberg

 

On the bus going home I heard a most fascinating conversation between an old man and woman. "What a thing, though," the old woman said. "You'd hardly credit it." "She's always made a fuss of the whole family, but never me," the old man said. "Does she have a fire when the young people go to see her?" "Fire?" "She won't get people seeing her without warmth." "I know why she's doing it. Don't think I don't," the old man said. "My sister she said to me, 'I wish I had your easy life.' Now that upset me. I was upset by the way she phrased herself. 'Don't talk to me like that,' I said. 'I've only got to get on the phone and ring a certain number,' I said, 'to have you stopped.'" "Yes," the old woman said, "And you can, can't you?" "Were they always the same?" she said. "When you was a child? Can you throw yourself back? How was they years ago?" "The same," the old man said. "Wicked, isn't it?" the old woman said. "Take care, now" she said, as the old man left her. He didn't say a word but got off the bus looking disgruntled.

 

Joe Orton

 

His language had a special vocabulary — not just "the SF" [God] and "epsilon" [child] but also "bosses" (women), "slaves" (men), "captured" (married), "liberated" (divorced), "recaptured" (remarried), "noise" (music), "poison" (alcohol), "preaching" (giving a mathematics lecture), "Sam" (the United States), and "Joe" (the Soviet Union). When he said someone had "died," Erdős meant that the person had stopped doing mathematics. When he said someone had "left," the person had died.

 

Paul Erdos