Friday, November 22, 2024 Text is available under the CC BY-SA 3.0 licence.

Anonymous

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Obstacles are weights that when time flows, you'll get used to (from Arvin James F. Berin)

 
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The house kept its own time, like the old-fashioned grandfather clock in the living room. People who happened by raised the weights, and as long as the weights were wound, the clock continued ticking away. But with people gone and the weights unattended, whole chunks of time were left to collect in deposits of faded life on the floor.

 
Haruki Murakami
 

James James
Morrison Morrison
Weatherby George Dupree
Took great care of his mother
Though he was only three.
James James said to his mother
Mother he said, said he:
You mustn't go down to the end of the town if you don't go down with me.
James James Morrison's Mother
Put on a golden gown.
James James Morrison's Mother
Went to the end of the town
James James Morrison's Mother
Said to herself, said she:
I can go right down to the end of the town and be back in time for tea!

 
A. A. Milne
 

What I do, and I know all smokers do this. You know how every cigarette pack has a different surgeon general's warning on it, how cool. Mine say, "Smoking may cause fetal injury or premature birth." ...f**k it. [laughs] I found my brand. Just don't get the ones that say, "Lung Cancer," ya know, shop around. Hell gimme a carton of them Low Birth Weights. What the f**k do I care? 'Why you so down Bill?' Low Birth Weight. Yeah, I'm smokin' way too many Low Birth Weights.

 
Bill Hicks
 

"A book is a small cog in a much more complex, external piece of machinery. Writing is a flow among others; it enjoys no special privilege and enters into relationships of current and counter-current, of back-wash with other flows - the flows of shit, sperm, speech, action, eroticism, money, politics, etc. Like Bloom, writing on the sand with one hand and masturbating with the other - two flows in what relationship?"

 
Gilles Deleuze
 

The progression of a painter’s work, as it travels in time from point to point, will be toward clarity: toward the elimination of all obstacles between the painter and the idea, and between the idea and the observer. As examples of such obstacles, I give (among others) memory, history or geometry, which are swamps of generalization from which one might pull out parodies of ideas (which are ghosts) but never an idea in itself. To achieve this clarity is, inevitably, to be understood.

 
Mark Rothko
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