Shakespeare has united the powers of exciting laughter and sorrow not only in one mind but in one composition. Almost all his plays are divided between serious and Ludicrous characters and they sometimes produce sorrow and sometimes laughter.
That this is a practice contrary to the rules of criticism will be readily allowed; but there is always an appeal open from criticism to nature.
--
Samuel Johnson, The plays of William Shakespeare, Vol. I (1765), Preface.William Shakespeare
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Laughter is the Wild Body's song of triumph.
2. Laughter is the climax in the tragedy of seeing, hearing and smelling self-consciously.
3. Laughter is the bark of delight of a gregarious animal at the proximity of its kind.
4. Laughter is an independent, tremendously important, and lurid emotion.
5. Laughter is the representative of Tragedy, when Tragedy is away.
6. Laughter is the emotion of tragic delight.
7. Laughter is the female of Tragedy.
8. Laughter is the strong elastic fish, caught in Styx, springing and flapping about until it dies.
9. Laughter is the sudden handshake of mystic violence and the anarchist.
10. Laughter is the mind sneezing.
11. Laughter is the one obvious commotion that is not complex, or in expression dynamic.
12. Laughter does not progress. It is primitive, hard and unchangeable.Wyndham Lewis
Readers, friends, if you turn these pages
Put your prejudice aside,
For, really, there's nothing here that's outrageous,
Nothing sick, or bad — or contagious.
Not that I sit here glowing with pride
For my book: all you'll find is laughter:
That's all the glory my heart is after,
Seeing how sorrow eats you, defeats you.
I'd rather write about laughing than crying,
For laughter makes men human, and courageous.Francois Rabelais
Technological consciousness takes itself dead seriously; it has no sense of humor. The fool can play no role in it, for there is no other realm that is can see beyond itself to which the fool can point. Consciousness in the throes of desire cannot tolerate laughter any more than criticism of laughter can be tolerated in a moment of sexual lust.
Donald Phillip Verene
The theater chose me. As I said, I started with poetry, and I also wrote criticism and dialogue. But I realized that I was most successful at dialogue. Perhaps I abandoned criticism because I am full of contradictions, and when you write an essay you are not supposed to contradict yourself. But in the theater, by inventing various characters, you can. My characters are contradictory not only in their language, but in their behavior as well.
Eugene Ionesco
When I read the rules of criticism, I immediately inquire after the works of the author who has written them, and by that means discover what it is he likes in a composition.
Joseph Addison
Shakespeare, William
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