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William O. Douglas

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Free speech is not to be regulated like diseased cattle and impure butter. The audience ... that hissed yesterday may applaud today, even for the same performance.
--
Dissenting, Kingsley Books, Inc. v. Brown, 354 U.S. 436, 447 (1957).

 
William O. Douglas

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What a vast advantage has a speech over a written composition. Men are imposed upon by voice and gesture, and by all that is conducive to enhance the performance. Any little prepossession in favor of the speaker raises their admiration, and then they do their best to comprehend him; they commend his performance before he has begun, but they soon fall off asleep, doze all the time he is preaching, and only wake to applaud him. An author has no such passionate admirers; his works are read at leisure in the country or in the solitude of the study; no public meetings are held to applaud him.... However excellent his book may be, it is read with the intention of finding it but middling; it is perused, discussed, and compared to other works; a book is not composed of transient sounds lost in the air and forgotten; what is printed remains.

 
Jean de La Bruyere
 

Those of you who speak only English, applaud [audience applause]. Those of you who speak only Spanish, applaud [audience applause]. [In mock incredulity] Then how do you know what I just said?

 
Gloria Estefan
 

Without free speech no search for Truth is possible; without free speech no discovery of Truth is useful; without free speech progress is checked, and the nations no longer march forward towards the nobler life which the future holds for man. Better a thousandfold abuse of free speech than denial of free speech. The abuse dies in a day; the denial slays the life of the people and entombs the hope of the race.

 
Charles Bradlaugh
 

I can't really hear the audience applause when I'm on stage. I'm totally immersed in the piece. But sometimes I get a lot of it and wonder, "Now, why did they applaud here?" If it's a white crowd, they usually applaud because they think it's a pretty movement. If it's a black crowd, it's usually because they identify with the message.

 
Judith Jamison
 

A regular Friday audience, 90 percent feminine and 100 percent well-bred, sat stoically yesterday through thirty minutes of the most cacophonous world premiere ever heard here - the first performance anywhere of a new Violin Concerto by Arnold Schoenberg. Yesterday's piece combines the best sound effects of a hen yard at feeding time, a brisk morning in Chinatown and practice hour at a busy music conservatory. The effect on the vast majority of hearers is that of a lecture on the fourth dimension delivered in Chinese.

 
Arnold Schoenberg
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