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William James

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Every Jack sees in his own particular Jill charms and perfections to the enchantment of which we stolid onlookers are stone-cold. And which has the superior view of the absolute truth, he or we? Which has the more vital insight into the nature of Jill's existence, as a fact? Is he in excess, being in this matter a maniac? or are we in defect, being victims of a pathological anesthesia as regards Jill's magical importance? Surely the latter; surely to Jack are the profounder truths revealed; surely poor Jill's palpitating little life-throbs are among the wonders of creation, are worthy of this sympathetic interest; and it is to our shame that the rest of us cannot feel like Jack. For Jack realizes Jill concretely, and we do not. He struggles toward a union with her inner life, divining her feelings, anticipating her desires, understanding her limits as manfully as he can, and yet inadequately, too; for he also is afflicted with some blindness, even here. Whilst we, dead clods that we are, do not even seek after these things, but are contented that that portion of eternal fact named Jill should be for us as if it were not. Jill, who knows her inner life, knows that Jack's way of taking it - so importantly - is the true and serious way; and she responds to the truth in him by taking him truly and seriously, too. May the ancient blindness never wrap its clouds about either of them again! Where would any of us be, were there no one willing to know us as we really are or ready to repay us for our insight by making recognizant return? We ought, all of us, to realize each other in this intense, pathetic, and important way.
--
"What Makes a Life Significant?"

 
William James

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If you say that this is absurd, that we cannot be in love with everyone at once, I merely point out to you that, as a matter of fact, certain persons do exist with an enormous capacity for friendship and for taking delight in other people's lives; and that such person know more of truth than if their hearts were not so big. The vice of ordinary Jack and Jill affection is not its intensity, but its exclusions and its jealousies. Leave those out, and you see that the ideal I am holding up before you, however impracticable to-day, yet contains nothing intrinsically absurd.

 
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Some men like Jack and some like Jill
I'm glad I like them both but still
I wonder if this freewheeling
Really is an enlightened thing,
Or is its greater scope a sign
Of deviance from some party line?
In the strict ranks of Gay and Straight
What is my status: Stray? Or Great?

 
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She’s an extraordinarily talented actor who is tremendously photogenic. She’s also a dead ringer for Jill Valentine.

 
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Ploffskin, Pluffskin, Pelican jee!
We think no Birds so happy as we!
Plumpskin, Ploshkin, Pelican jill!
We think so then, and we thought so still!

 
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They were gunning the motorcycles. There were these little backfires. There was one noise like that. I thought it was a backfire. Then next I saw Connally grabbing his arms and saying "no, no, no, no, no," with his fist beating. Then Jack turned and I turned. All I remember was a blue-gray building up ahead. Then Jack turned back so neatly, his last expression was so neat... you know that wonderful expression he had when they'd ask him a question about one of the ten million pieces they have in a rocket, just before he'd answer. He looked puzzled, then he slumped forward. He was holding out his hand ... I could see a piece of his skull coming off. It was flesh-colored, not white — he was holding out his hand ... I can see this perfectly clean piece detaching itself from his head. Then he slumped in my lap, his blood and his brains were in my lap ... Then Clint Hill [the Secret Service man], he loved us, he made my life so easy, he was the first man in the car ... We all lay down in the car ... And I kept saying, Jack, Jack, Jack, and someone was yelling "he's dead, he's dead." All the ride to the hospital I kept bending over him, saying "Jack, Jack, can you hear me, I love you, Jack."

 
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