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William James

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The militarily-patriotic and the romantic-minded everywhere, and especially the professional military class, refuse to admit for a moment that war may be a transitory phenomenon in social evolution. The notion of a sheep's paradise like that revolts, they say, our higher imagination. Where then would be the steeps of life? If war had ever stopped, we should have to re-invent it, on this view, to redeem life from flat degeneration.
Reflective apologists for war at the present day all take it religiously. It is a sort of sacrament. It's profits are to the vanquished as well as to the victor; and quite apart from any question of profit, it is an absolute good, we are told, for it is human nature at its highest dynamic.

 
William James

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What I am trying to do is to present a unified scientific view of life; that is, a view integrating life's biological, cognitive, and social dimensions. I have had many discussions with social scientists, cognitive scientists, physicists and biologist who question that task, who said that this would not be possible. They ask, why do I believe that I can do that? My belief is based largely on our knowledge of evolution. When you study evolution, you see that there was, first of all, evolution before the appearance of life, there was a molecular type of evolution where structures of greater and greater complexity evolved out of simple molecules. Biochemist who study that have made tremendous progress in understanding that process of molecular evolution. Then we had the appearance of the first cell which was a bacterium. Bacteria evolved for about 2 billion years and in doing so invented, if you want to use the term, or created most of the life processes that we know today. Biochemical processes like fermentation, oxygen breathing, photosynthesis, also rapid motion, were developed by bacteria in evolution. And what happened then was that bacteria combined with one another to produce larger cells — the so-called eukaryotic cells, which have a nucleus, chromosomes, organelles, and so on. This symbiosis that led to new forms is called symbiogenesis.

 
Fritjof Capra
 

What I am trying to do is to present a unified scientific view of life; that is, a view integrating life's biological, cognitive, and social dimensions. I have had many discussions with social scientists, cognitive scientists, physicists and biologist who question that task, who said that this would not be possible. They ask, why do I believe that I can do that? My belief is based largely on our knowledge of evolution. When you study evolution, you see that there was, first of all, evolution before the appearance of life, there was a molecular type of evolution where structures of greater and greater complexity evolved out of simple molecules. Biochemist who study that have made tremendous progress in understanding that process of molecular evolution. Then we had the appearance of the first cell which was a bacterium. Bacteria evolved for about 2 billion years and in doing so invented, if you want to use the term, or created most of the life processes that we know today. Biochemical processes like fermentation, oxygen breathing, photosynthesis, also rapid motion, were developed by bacteria in evolution. And what happened then was that bacteria combined with one another to produce larger cells — the so-called eukaryotic cells, which have a nucleus, chromosomes, organelles, and so on. This symbiosis that led to new forms is called symbiogenesis.

 
Fritjof Capra
 

The relative meaning of two physical facts in a emotionally controlled relation always creates the phenomenon of a third fact of a higher order, just as two musical sounds, heard simultaneously create the phenomenon of a third, fourth or fifth. The nature of this higher third is non-physical. In a sense it is magic. Each such phenomenon always overshadows the material qualities and the limited meaning of the basic factors from which it has sprung. For this reason Art expresses the highest quality of the spirit when it is surreal in nature; or, in terms of the visual arts, when it is of a surreal plastic nature.

 
Hans Hofmann
 

Do you believe in God, Andrei? No. Neither do I. But that's a favorite question of mine. An upside-down question, you know. What do you mean? Well, if I asked people whether they believed in life, they'd never understand what I meant. It's a bad question. It can mean so much that it really means nothing. So I ask them if they believe in God. And if they say they do—then, I know they don't believe in life. Why? Because, you see, God—whatever anyone chooses to call God—is one's highest conception of the highest possible. And whoever places his highest conception above his own possibility thinks very little of himself and his life. It's a rare gift, you know, to feel reverence for your own life and to want the best, the greatest, the highest possible, here, now, for your very own. To imagine a heaven and then not to dream of it, but to demand it.

 
Ayn Rand
 

Anarchism is no patent solution for all human problems, no Utopia of a perfect social order, as it has so often been called, since on principle it rejects all absolute schemes and concepts. It does not believe in any absolute truth, or in definite final goals for human development, but in an unlimited perfectibility of social arrangements and human living conditions, which are always straining after higher forms of expression, and to which for this reason one can assign no definite terminus nor set any fixed goal. The worst crime of any type of state is just that it always tries to force the rich diversity of social life into definite forms and adjust it to one particular form, which allows for no wider outlook and regards the previously exciting status as finished. The stronger its supporters feel themselves, the more completely they succeed in bringing every field of social life into their service, the more crippling is their influence on the operation of all creative cultural forces, the more unwholesomely does it affect the intellectual and social development of any particular epoch.

 
Rudolf Rocker
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