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This life is worth living, we can say, since it is what we make it, from the moral point of view.
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"Is Life Worth Living?"

 

William James

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The idea of taking up art as a calling, a profession, is a mirage. Art enriches life. It makes life worth living. But to make a living at it—that idea is incompatible with making art.

 

John Sloan

 

A principal characteristic of technique … is its refusal to tolerate moral judgments. It is absolutely independent of them and eliminates them from its domain. Technique never observes the distinction between moral and immoral use. It tends on the contrary, to create a completely independent technical morality.
Here, then, is one of the elements of weakness of this point of view. It does not perceive technique's rigorous autonomy with respect to morals; it does not see that the infusion of some more or less vague sentiment of human welfare cannot alter it. Not even the moral conversion of the technicians could make a difference. At best, they would cease to be good technicians. This attitude supposes further that technique evolves with some end in view, and that this end is human good. Technique is totally irrelevant to this notion and pursues no end, professed or unprofessed.

 

Jacques Ellul

 

It is the encounters with people that make life worth living.

 

Guy de Maupassant

 

I have no way of knowing that your story is not true — but you have no way of knowing that my story isn't true. So I will choose the one that I love. I will close the one that, if it's true, makes this reality one worth living in. I'll act as if the life I hope for is real life, and the life that disgusts me — your life, your view of life — is the lie.

 

Orson Scott Card

 

In my use of the camera, I work to make images that go beyond, and even undermine, the conventions of "point of view." Such images transcend the limitation that would seem to be inherent in the photographic mechanism (or "point-of-view machine"). They allow the viewer to see and feel the "room"—or the world, or reality—as it is, beyond the ego’s self-reference. And such images thereby become a non-verbal means of "picturing" the essential human process of ego-transcendence—going beyond the fixed "point of view" of the ego, or the core presumption of separateness

 

Adi Da