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The more rational statement is that we feel sorry because we cry, angry because we strike, afraid because we tremble, and not that we cry, strike, or tremble, because we are sorry, angry, or fearful, as the case may be. Without the bodily states following on the perception, the latter would be purely cognitive in form, pale, colorless, destitute of emotional warmth.
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Ch. 25

 

William James

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Let Southern oppressors tremble — let their secret abettors tremble — let their Northern apologists tremble — let all the enemies of the persecuted blacks tremble.

 

William Lloyd Garrison

 

Remarkably enough, the reason you are so disturbed about the facts of life that might make you fearful, sorrowful, and angry is that whenever something arises that you might appropriately be angry, fearful, or sorrowful about, you do not feel it completely. You limit your feeling of even these reactions. And you certainly limit your feeling of the circumstance, or the condition, that is arising. You are always exhibiting the evidence of limited feeling, obstructed feeling. If feeling becomes limitless, if you do not contract, then feeling becomes Being Itself — no reaction, no contraction, Feeling without limit. That Feeling goes beyond fear, sorrow, anger, and conventional happiness and loving attitudes. What is It? It is Love-Bliss. It is the Self-Existing and Self-Radiant Force of Being, without the slightest obstruction. It is Divine Enlightenment."

 

Adi Da

 

Then Love, I beg, when next thou takest thy bow,
Thy angry shafts, and dost heart-chasing go,
Pass rascal deer, strike me the largest doe.

 

Richard Lovelace

 

Didn't Woody Allen say that all literature was a footnote to Faust? Perhaps all adolescence is a dialogue between Faust and Christ. We tremble on the brink of selling that part of ourselves that is real, unique, angry, defiant and whole for the rewards of attainment, achievement, success and the golden prizes of integration and acceptance; but we also in our great creating imagination, rehearse the sacrifice we will make: the pain and terror we will take from others' shoulders; our penetration into the lives and souls of our fellows; our submission to willingness to be rejected and despised for the sake of truth and love and, in the wilderness, our angry rebuttals of the hypocrisy, deception and compromise of a world which we see to be so false. There is nothing so self-righteous nor so right as an adolescent imagination.

 

Stephen Fry

 

I think my own way. I don't think like you and my music isn't meant just for the patting of feet and going down backs. When and if I feel gay and carefree, I write or play that way. When I feel angry I write or play that way — or when I'm happy, or depressed, even.
Just because I'm playing jazz I don't forget about me. I play or write me, the way I feel, through jazz, or whatever. Music is, or was, a language of the emotions. If someone has been escaping reality, I don't expect him to dig my music, and I would begin to worry about my writing if such a person began to really like it. My music is alive and it's about the living and the dead, about good and evil. It's angry, yet it's real because it knows it's angry.

 

Charles Mingus