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Wilhelm Reich

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Sexual anxiety is caused by the external frustration of instinctual gratification and is internally anchored by the fear of the dammed-up sexual excitation. This leads to orgasm anxiety, which is the ego's fear of the over-powering excitation of the genital system due to its estrangement from the experience of pleasure. Orgasm anxiety constitutes the core of the universal, biologically anchored pleasure anxiety. It is usually expressed as a general anxiety about every form of vegetative sensation and excitation, or the perception of such excitation and sensations. The pleasure of living and the pleasure of the orgasm are identical. Extreme orgasm anxiety forms the basis of the general fear of life.
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Ch. V : The Development of the Character-Analytic Technique

 
Wilhelm Reich

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Pride is a reaction formation to the feeling of inferiority, of the experience of powerlessness, of not being worthy enough of love. Only anxiety compels a person to lose moderation and to want to be more than he is. Out of fear of being an animal, he has to become an angel. Out of fear of being a nothing, a god. Anxiety never allows him to be simply a man.

 
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Anxiety occurs because of a threat to the values a person identifies with his existence as a self ... most anxiety comes from a threat to social, emotional and moral values the person identifies with himself. And here we find that a main source of anxiety, particularly in the younger generation, is that they do not have viable values available in the culture on the basis of which they can relate to their world. The anxiety which is inescapable in an age in which values are so radically in transition is a central cause of apathy ... such prolonged anxiety tends to develop into lack of feeling and the experience of depersonalization.

 
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A living creature develops a destructive impulse when it wants to destroy a source of danger. In this case, the destruction or killing of the object is the biologically purposeful goal. The original motive is not pleasure in destruction. Rather the destruction serves the "life instinct"...and is an attempt to avoid anxiety and to preserve the ego in its totality. I destroy in a dangerous situation because I want to live and do not want to have any anxiety. In short, the impulse to destroy serves a primary biological will to live...

 
Wilhelm Reich
 

Deep within every human being there still lives the anxiety over the possibility of being alone in the world, forgotten by God, overlooked among the millions and millions in this enormous household. One keeps this anxiety at a distance by looking at the many round about who are related to him as kin and friends, but the anxiety is still there, nevertheless, and one hardly dares think of how he would feel if all this were taken away.

 
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... anxiety is a reflection, and in this respect is essentially different than sorrow. Anxiety is the organ by which the subject appropriates sorrow and assimilates it. Anxiety is the energy of the movement by which sorrow bores its way into one’s heart. But the movement is not swift like the thrust of a dart, it is successive; it is not once for all, but it is constantly continuing. As a passionate, erotic glance desires its object, so anxiety looks upon sorrow to desire it. As the quiet, incorruptible glance of love is preoccupied with the beloved object, so anxiety occupies itself with sorrow. But anxiety has another element in it which makes it cling even more strongly to its object, for it both loves it and fears it. Anxiety has a two-fold function. Partly it is the detective instinct which constantly touches, and by means of this probing, discovers sorrow, as it goes round about the sorrow. Or anxiety is sudden, posits the whole sorrow in the present moment, yet so that this present moment instantly dissolves in succession. Anxiety is in this sense a truly tragic category, and the old saying: quem deus vult perdere, primum dementat, (whom God wishes to destroy, he first makes insane) in truth rightly applies here. That anxiety is determined by reflection is shown by our use of words; for I always say: to be anxious about something, by which I separate the anxiety from that about which I am anxious, and I can never use anxiety in an objective sense; whereas, on the contrary, when I say “my sorrow,” it can just as well express that which I sorrow over, as my sorrow over it. In addition, anxiety always involves a reflection upon time, for I cannot be anxious about the present, but only about the future; but the past and the future, so resisting one another that the present vanishes, are reflective determinations.

 
Soren Aabye Kierkegaard
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