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Toscanini was hailing a great artist, but that voice was more than a magnificent personal talent. It was the religious voice of a whole religious people — probably the most God-obsessed (and man-despised) people since the ancient Hebrews. ("In Egypt Land," December 30, 1946)

 

Whittaker Chambers

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On religious issues there can be little or no compromise. There is no position on which people are so immovable as their religious beliefs. There is no more powerful ally one can claim in a debate than Jesus Christ, or God, or Allah, or whatever one calls this supreme being. But like any powerful weapon, the use of God's name on one's behalf should be used sparingly. The religious factions that are growing throughout our land are not using their religious clout with wisdom. They are trying to force government leaders into following their position 100 percent. If you disagree with these religious groups on a particular moral issue, they complain, they threaten you with a loss of money or votes or both.
I'm frankly sick and tired of the political preachers across this country telling me as a citizen that if I want to be a moral person, I must believe in "A," "B," "C" and "D." Just who do they think they are? And from where do they presume to claim the right to dictate their moral beliefs to me?
And I am even more angry as a legislator who must endure the threats of every religious group who thinks it has some God-granted right to control my vote on every roll call in the Senate. I am warning them today: I will fight them every step of the way if they try to dictate their moral convictions to all Americans in the name of "conservatism."

 

Barry Goldwater

 

[Callas was] An outstanding historical figure, ranking with Malibran, Viardot, Toscanini, and Mahler. She is somewhat like Viardot, Chorley's "tones of an engaging tenderness" mingled with those "of a less winning quality." It was a flawed voice. But then Callas sought to capture in her singing not just beauty but a whole humanity, and within her system, the flaws feed the feeling, the sour plangency and the strident defiance becoming aspects of the canto. They were literally defects of her voice; she bent them into advantages of her singing. [Her voice] is what she had. What she made was a musical information of what was happening to her characters, a searching virtuosity. Suffering, delight, humility, hubris, despair, rhapsody — all this was musically appointed, through her use of the voice flying the text upon the notes....

 

Maria Callas

 

Presley's voice was remarkable in the sense that, through it, he touched people in a way only great artists can do. (In fact), the people he touched are as diverse as humanity itself and, because of that his popularity has transcended race, class, national boundaries, and culture. There is no simple answer about why that is so, all I can say is he had that magic. When Elvis Presley was first popular, many people said that he did not have a good voice. Almost everyone, today, knows that he did, but more people today should see him not simply as a performer, but as an artist with a great soul.

 

Elvis Presley

 

It's never enough to say you’re from London, people want to know exactly where you’re from. They see it as more of a test of their own geographical knowledge. You say "I’m from London" people go [high pitched excited voice] "Where abouts, where abouts, where abouts, where abouts exactly, where abouts?" "Uh... North London." If they know it they get more excited. [more excited voice] "Where abouts, where abouts, where abouts?" "Muswell Hill" [even more excited voice] "Where abouts? Where abouts?!" "Do you know Sainsbury’s?" "Yeeeeeeessssssssss!"

 

Michael McIntyre

 

We've become beings with souls... Something struggles within us. There are moments when something gets into us. Thoughts come to us which are not our own... People are our fathers! The voice that cries out that you want to live; the voice that complains; the voice that reasons; the voice that speaks of eternity — that is their voice!

 

Karel Capek