"The vultures were hungry."

 

"The vultures were hungry." - The Vultures Ate My Dead Ass Up

 

Wesley Willis

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Understand this, tell others: in my dream vultures chase me into my burning house. There, they pick out the brains of my family, dismember them, devour. I emerge from my home and I am burning, skin falling away like a snake as the structure crumbles into a black skeleton. I cannot fight off the vultures. A young man or woman emerges from the ashes. He/she doesn't save me, because he/she is holding my cracked and swollen heart in one hand and a piece of paper in the other. I can read it. It discusses and compares in great detail the differences between me and the vultures. He wraps my heart in the paper and tosses it to the ground. Can you see?

 

Marilyn Manson

 

Jones may well be more effective outside the administration than within it (I think Beck put it as "dangerous." Semantics.) As Ariana Huffington opined in a post September 7 called "Thank You, Glenn Beck!" (The Huffington Post), Van Jones was undeniably the best person for this job, but the job wasn't best for him. Van Jones is not someone who ought to be stuck behind a desk, calculating tax credits and guarding his opinions from the 24-hour news-culture vultures.

 

Van Jones

 

Such protection as vultures give to lambs.

 

Richard Brinsley Sheridan

 

You are the pits of the world! Vultures! Trash!

 

John McEnroe

 

There is [...] no necessary connection between the symbol and that which is symbolized. Just as men can wear yachting costumes without ever having been near a yacht, so they can make the noise "I'm hungry" without being hungry. Furthermore, just as social rank can be symbolized by feathers in the hair, by tattooing on the breast, by gold ornaments on the watch chain, or by a thousand different devices according to the culture we live in, so the fact of being hungry can be symbolized by a thousand different noises according to the culture we live in: "J'ai faim," or "Es hungert mich," or "Ho appetito," or "Hara ga hetta," and so on.

 

S. I. Hayakawa