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We're not trying to entertain the critics ... I'll take my chances with the public.
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As quoted in "Disneyland, 1955: Just Take the Santa Ana Freeway to the American Dream" by Karal Ann Marling, in American Art (Winter-Spring 1991)
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Variant: We are not trying to entertain the critics. I'll take my chances with the public.

 

Walt Disney

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I've noticed that there is not necessarily a great relationship between what the majority of critics have to say and what is actually true. Some of them are so busy trying to mold the public taste according to the limits of their perceptions, and others are so busy reflecting what they consider to be the public taste — that view limited again by their perception. You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid — but most people don't take the trouble.

 

Edward Albee

 

With the lights out, it's less dangerous
Here we are now, entertain us
I feel stupid, and contagious
Here we are now, entertain us.

 

Kurt Donald Cobain

 

I doubt whether any angel would find me very entertaining. As for myself, if ever I do entertain one it will have to be unawares. When people entertain others without an introduction they generally turn out more like devils than angels.

 

Samuel (novelist Butler

 

It is said by parrot-minded critics that Owen was "a man of one idea," whereas he was a man of more ideas than any public man England knew in his day. He shared and befriended every new conception of moment and promise, in science, in education, and government. His mind was hospitable to all projects of progress; and he himself contributed more original ideas for the conduct of public affairs than any other thinker of his generation. ... Because some of his projects were so far reaching that they required a century to mature them, onlookers who expected them to be perfected at once, say he "failed in whatever he proposed." While the truth is he succeeded in more things than any public man ever undertook. If he made more promises than he fulfilled, he fulfilled more than any other public man ever made. Thus, he was not a man of "one idea" but of many. Nor did his projects fail. The only social Community for which he was responsible was that of New Harmony, in Indiana; which broke up through his too great trust in uneducated humanity — a fault which only the generous commit. The communities of Motherwell and Orbiston, of Manea, Fen, and Queenwood in Hampshire were all undertaken without his authority, and despite his warning of the adequacy of the means for success. They failed, as he predicted they would. Critics, skilled in coming to conclusions without knowing the facts, impute these failures to him.

 

Robert Owen

 

My chances of being PM are about as good as the chances of finding Elvis on Mars, or my being reincarnated as an olive.

 

Boris Johnson