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Tori Amos

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A man bites into a dry peach and says "This peach is not good;" the peach replies "It is not my fault that you don't know the proper use for a dry peach."
--
A quote from the special inclusions in the sheet music book for her album "Under the Pink"

 
Tori Amos

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The ripeness was a letter that John Keats wrote to his brother who emigrated to America describing what it was like to have a peach or piece of a peach in his mouth. And it's one of the sexiest things you will ever read of how slow you should take the peach. Don't rush it. Let it go through your palette. Let it lie on your tongue. Let it melt a little bit. Let it run from the corners. It's like describing the most incredible sex orgy. And then, you bite. But, it must be so ripe. It must be so delicious. In other words, you must not waste a second of this deliciousness which for him was life and being a great poet. That you savor every, everything that happened. I want to get ripe.

 
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A little peach in an orchard grew,—
A little peach of emerald hue;
Warmed by the sun and wet by the dew
It grew.

 
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I asked a thief to steal me a peach:
He turned up his eyes.
I asked a lithe lady to lie her down:
Holy and meek, she cries.

As soon as I went
An angel came.
He winked at the thief
And smiled at the dame—

And without one word said
Had a peach from the tree,
And still as a maid
Enjoyed the lady.

 
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We need a new Mario game where you rescue the princess in the first ten minutes, and for the rest of the game you try to push down that sick feeling in your stomach telling you she's "damaged goods," a concept detailed again and again in the profoundly sex-negative instruction booklet, and when Luigi makes a crack about her and Bowser, you break his nose and immediately regret it. Peach asks you, in the quiet of her mushroom castle bedroom, "Do you still love me?" and you pretend to be asleep. You press A button rhythmically, to control your breath, to keep even.

 
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The ripest peach is highest on the tree.

 
James Whitcomb Riley
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