Thursday, November 21, 2024 Text is available under the CC BY-SA 3.0 licence.

Tom Petty

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I don't believe in censorship, but I do believe that an artist has to take some moral responsibility for what he or she is putting out there. And I think a lot of these young kids are going to have to learn the hard way before they realize that you can actually do some damage if you're being careless or frivolous in what you're saying.

 
Tom Petty

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It comes as a shock at a certain point where you realize no matter how much you love these kids, you can’t do it by yourself, that this job of keeping our children safe and teaching them well is something we can only do together, with the help of friends and neighbors, the help of a community and the help of a nation.
And in that way we come to realize that we bear responsibility for every child, because we’re counting on everybody else to help look after ours, that we’re all parents, that they are all our children.
This is our first task, caring for our children. It’s our first job. If we don’t get that right, we don’t get anything right. That’s how, as a society, we will be judged.

 
Barack Obama
 

"Come away!  her dancing says. Come out into the splendid perilous world!  Come up on the mountain-top where the great wind blows!  Learn to be young always!  Learn to be incessantly renewed!  Learn to live in the intemperate careless land of song and rhythm and rapture!  Say farewell to the world you know and join the passionate spirits of the world’s history!  Storm through into your dreams!  Give yourself up to the frenzy that is in the heart of life, and never look back, and never regret! You shall become sweet and mad as a lover …

 
Isadora Duncan
 

The imaginative artist willy-nilly influences his time. If he understands his responsibility and acts on it—taking the art seriously always, himself never quite—he can make a contribution equal to, if different from, that of the scientist, the politician, and the jurist. The anarchic artist so much in vogue now—asserting with vehemence and violence that he writes only for himself, grubbing in the worst seams of life—can do damage. But he can also be so useful in breaking up obsolete molds, exposing shams, and crying out the truth, that the broadest freedom of art seems to me necessary to a country worth living in.

 
Herman Wouk
 

The Net interprets censorship as damage and routes around it.

 
John Gilmore
 

It's hard to get good answers to why Young Voters are so uninterested in politics. This is probably because it's next to impossible to get someone to think hard about why he's not interested in something. The boredom itself preempts inquiry; the fact of the feeling's enough. Surely one reason, though, is politics is not cool. Or say rather that cool, interesting, alive people do not seem to be the ones who are drawn to the Political Process. Think back to the sort of kids in high school or college who were into running for student office: dweeby, overgroomed, obsequious to authority, ambitious in a sad way. Eager to play the Game. The kind of kids other kids would want to beat up if it didn't seem so pointless and dull. And now consider some of 2000's adult versions of these very same kids . . . Men who aren't enough like human beings even to dislike—what one feels when they loom into view is just an overwhelming lack of interest, the sort of deep disengagement that is so often a defense against pain. Against sadness. In fact the likeliest reason why so many of us care so little about politics is that modern politicians make us sad, hurt us in ways that are hard even to name, much less to talk about. It's way easier to roll your eyes and not give a shit. You probably don't want to hear about all this, even.

 
David Foster Wallace
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