Titian, having adorned Venice, or rather all Italy and other parts of the world, with excellent paintings, well merits to be loved and respected by artists, and is in many things to be admired and imitated also, as one who has produced, and is producing, works of infinite merit; nay, such as must endure while the memory of illustrious men shall remain.
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Giorgio Vasari in "Titian of Cadore", in Lives of the Most Eminent Painters, Sculptors and Architects as translated by Mrs. Jonathan Foster (1852), p. 402Titian
I prostrate in front of the memory of Mircea, my unforgettable friend. I am, in my moments of sadness, obliged to those who have permitted me to say that we have loved him, admired him, respected him and that once more he, Mircea, does never cease to be missed spiritually and emotionally, by all of us. But his work, so rich, so immense, still exists.
Mircea Eliade
With respect to the use of this sparkling coloured material (butterfly wings around 1955, fh) – the constituent parts of which remain indistinguishable – with the aim of producing a very vivid effect of scintillation, I realised that, for me, this responds to needs of the same order as those that formerly led me, in many drawings and paintings, to organize my lines and patches of colour so that the objects represented would meld into everything around them, so that the result would be a sort of continuous, universal soup with an intensive flavour of life.
Jean Dubuffet
Once the masterpiece has emerged, the lesser works surrounding it fall into place; and it then gives the impression of having been led up to and foreseeable, though actually it is inconceivable — or, rather, it can only be conceived of once it is there for us to see it. It is not a scene that has come alive, but a latent potentiality that has materialized. Suppose that one of the world's masterpieces were to disappear, leaving no trace behind it, not even a reproduction; even the completest knowledge of its maker's other works would not enable the next generation to visualize it. All the rest of Leonardo's oeuvre would not enable us to visualize the Mona Lisa; all Rembrandt's, the Three Crosses or The Prodigal Son; all Vermeer's, The Love Letter; all Titian's, the Venice Piet?; all medieval sculpture, the Chartres Kings or the Naumburg Uta. What would another picture by the Master of Villeneuve look like? How could even the most careful study of The Embarkation for Cythera, or indeed that of all Watteau's other works conjure up L'Enseigne de Gersaint, had it disappeared?
Andre Malraux
If Amsterdam or Leningrad vie for the title of Venice of the North, then Venice - what compliment is high enough? Venice, with all her civilisation and ancient beauty, Venice with her addiction to curious aquatic means of transport, yes, my friends, Venice is the Henley of the South.
Boris Johnson
By Christ's purchasing redemption, two things are intended, His satisfaction, and His merit. All is done by the price that Christ lays down, which does two things: it pays our debt, and so it satisfies; by its intrinsic value, and by the agreement between the Father and the Son it procures our title, and so it merits. The satisfaction of Christ is to free us from misery, and the merit of Christ is to purchase happiness for us.
Jonathan Edwards
Titian
Tito, Josip Broz
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