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The moment of sudden loathing
And the season of stifled sorrow
The whisper, the transparent deception
The keeping up of appearances
The making the best of a bad job
All twined and tangled together, all are recorded.

 

Thomas Stearns Eliot (T. S.)

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The phrase, the world wants to be deceived, has become truer than had ever been intended. People are not only, as the saying goes, falling for the swindle; if it guarantees them even the most fleeting gratification they desire a deception which is nonetheless transparent to them. They force their eyes shut and voice approval, in a kind of self-loathing, for what is meted out to them, knowing fully the purpose for which it is manufactured. Without admitting it they sense that their lives would be completely intolerable as soon as they no longer clung to satisfactions which are none at all.

 

Theodor Adorno

 

... anxiety is a reflection, and in this respect is essentially different than sorrow. Anxiety is the organ by which the subject appropriates sorrow and assimilates it. Anxiety is the energy of the movement by which sorrow bores its way into one’s heart. But the movement is not swift like the thrust of a dart, it is successive; it is not once for all, but it is constantly continuing. As a passionate, erotic glance desires its object, so anxiety looks upon sorrow to desire it. As the quiet, incorruptible glance of love is preoccupied with the beloved object, so anxiety occupies itself with sorrow. But anxiety has another element in it which makes it cling even more strongly to its object, for it both loves it and fears it. Anxiety has a two-fold function. Partly it is the detective instinct which constantly touches, and by means of this probing, discovers sorrow, as it goes round about the sorrow. Or anxiety is sudden, posits the whole sorrow in the present moment, yet so that this present moment instantly dissolves in succession. Anxiety is in this sense a truly tragic category, and the old saying: quem deus vult perdere, primum dementat, (whom God wishes to destroy, he first makes insane) in truth rightly applies here. That anxiety is determined by reflection is shown by our use of words; for I always say: to be anxious about something, by which I separate the anxiety from that about which I am anxious, and I can never use anxiety in an objective sense; whereas, on the contrary, when I say “my sorrow,” it can just as well express that which I sorrow over, as my sorrow over it. In addition, anxiety always involves a reflection upon time, for I cannot be anxious about the present, but only about the future; but the past and the future, so resisting one another that the present vanishes, are reflective determinations.

 

Soren Aabye Kierkegaard

 

Let me tell you something; I do hate myself, but it has nothing to do with being Jewish. (When accused of being a self-loathing Jew; Curb Your Enthusiasm, Season 2, Episode 3, "Trick or Treat")

 

Larry David

 

He was magnificent, and I will never forget that in that moment, I first loved him. And I never stopped loving him. I do now and always will. No one ever brought me more sorrow or pain or joy than he did. No, nothing, not even my sons, has ever outweighed the love I feel and still feel for him. And I believe – had I known what the future held for us: all the trouble, torment, battle, and grief of our lives – I still believe that I would have yielded my heart into his keeping as I did then

 

Alice Borchardt

 

One can derive the same fun from print-making as from making mud pies and great subtlety can be achieved through the use of transparent inks, half-tone screens and even accidental colour combinations, which is often where the art hides.

 

Ralph Steadman