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Ted Haggard

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It was during the massage that it started to become sensual, and that led to him masturbating me... That was and is our only sexual contact.
--
KRDO, retrieved June 26, 2008

 
Ted Haggard

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The scientific debate on reports and recollections of child sexual abuse goes back to at least 1896, when Freud argued that repression of early childhood seduction (sexual molestation) had etiological significance for adult hysteria […]. He later recanted, saying that he was wrong about the repression of actual experiences of child sexual abuse and that it was fantasies (of sexual contact with parents or other adults) that drove the hysteria [..]. The research [in peer-reviewed publications in the 1980s and ‘90s] revisited the issue of repression of child sexual abuse and suggest that a large proportion of women sexually abused in childhood have no recall of the abuse. These studies support Freud's originally hypothesized connection between child sexual abuse, no recall of the abuse, and high levels of psychological symptoms in adulthood, at least in clinical samples.

 
Sigmund Freud
 

As with infanticide, the sexual abuse of children is widely reported by anthropologists, but in positive terms. [...] "This would not constitute 'abuse' if in that society the behavior was not proscribed". Like all other anthropologists who report the regular masturbating and sucking of children's genitals, he [L.L. Langness] calls this "love".

 
Lloyd deMause
 

Wagner wrote an opera titled Tristan and Yseult and in it there is a theme called Love Death theme. It is so sensual, so sexual that he was criticized for having introduced sex into music. And that was quite a few years before the appearance of Elvis Presley!

 
Henry Miller
 

My whole area of art activity has always been addressed to working with other people.. ..You see, I personally like the sensual contact of collaborating. Ideas are not real estate. In collaboration one can accept the fact that someone else can be so sympathetic and in tune with what you’re doing, that through this they move into depths that might not be obvious if that person had been working alone in a studio with the door shut.

 
Robert Rauschenberg
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