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Stephen King

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I think that everybody has a backhoe in his or her head, and at moments of stress or trouble you can fire it up and simply push everything into a great big slit-trench in the floor of your conscious mind. Get rid of it. Bury it. Except that that slit-trench goes down into the subconscious, and sometimes, in dreams, the bodies stir and walk.
--
Pt. 1, Ch. 18

 
Stephen King

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There were over thirty of them in continuous action, and all I could do was touch the Germans off just as fast as I could. I was sharpshooting. I don't think I missed a shot. It was no time to miss.
In order to sight me or to swing their machine guns on me, the Germans had to show their heads above the trench, and every time I saw a head I just touched it off. All the time I kept yelling at them to come down. I didn't want to kill any more than I had to. But it was they or I. And I was giving them the best I had.
Suddenly a German officer and five men jumped out of the trench and charged me with fixed bayonets. I changed to the old automatic and just touched them off too. I touched off the sixth man first, then the fifth, then the fourth, then the third and so on. I wanted them to keep coming.
I didn't want the rear ones to see me touching off the front ones. I was afraid they would drop down and pump a volley into me. — and I got hold of the German major, and he told me if I wouldn't kill any more of them he would make them quit firing. So I told him all right, if he would do it now. So he blew a little whistle, and they quit shooting and come down and gave up.

 
Alvin C. York
 

I had killed over twenty before the German major said he would make them give up. I covered him with my automatic and told him if he didn't make them stop firing I would take off his head next. And he knew I meant it. He told me if I didn't kill him, and if I stopped shooting the others in the trench, he would make them surrender.
He blew a little whistle and they came down and began to gather around and throw down their guns and belts. All but one of them came off the hill with their hands up, and just before that one got to me he threw a little hand grenade which burst in the air in front of me.
I had to touch him off. The rest surrendered without any more trouble. There were nearly 100 of them.

 
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I’ve realized over the years that, with rare exceptions, most writer’s block isn’t writer’s block at all: It’s necessary time that allows the unconscious mind to do its deep work. The great “Ah-Ha!” moments don’t usually come at the keyboard. They come when I’m lying on the floor, staring into space (or banging my head against the wall in frustration). All of a sudden the Unconscious Camera turns on, a movie starts playing in my head-and there it is: The Big Moment. Or the Whole Damn Story. And, in many ways, I had nothing whatsoever to do with it.

 
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Reagan plays with fire. He doesn't care about international peace. He plays as if he was in the theater. Reagan wants to dominate the world. He wants to find justification to make war. If he does this, if it goes on like this, a cataclysm will take place. Reagan should come and see that I am not a terrorist in a trench with a grenade in my pocket.

 
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You can only make the slit so much higher, the stiletto so much taller.

 
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