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None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at all times its edge was jagged with waves that seemed thrust up in points like rocks.
--
Pt. I

 

Stephen Crane

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Hamm: Look at the ocean!
(Clov gets down, takes a few steps towards window left, goes back for ladder, carries it over and sets it down under window left, gets up on it, turns the telescope on the without, looks at length. He starts, lowers the telescope, examines it, turns it again on the without.)
Clov: Never seen anything like that!
Hamm (anxious): What? A sail? A fin? Smoke?
Clov (looking): The light is sunk.
Hamm (relieved): Pah! We all knew that.
Clov (looking): There was a bit left.
Hamm: The base.
Clov (looking): Yes.
Hamm: And now?
Clov (looking): All gone.
Hamm: No gulls?
Clov (looking): Gulls!
Hamm: And the horizon? Nothing on the horizon?
Clov (lowering the telescope, turning towards Hamm, exasperated): What in God's name could there be on the horizon? (Pause.)
Hamm: The waves, how are the waves?
Clov: The waves? (He turns the telescope on the waves.) Lead.
Hamm: And the sun?
Clov (looking): Zero.
Hamm: But it should be sinking. Look again.
Clov (looking): Damn the sun.
Hamm: Is it night already then?
Clov (looking): No.
Hamm: Then what is it?
Clov (looking): Gray. (Lowering the telescope, turning towards Hamm, louder.) Gray! (Pause. Still louder.) GRRAY! (Pause. He gets down, approaches Hamm from behind, whispers in his ear.)
Hamm (starting): Gray! Did I hear you say gray?
Clov: Light black. From pole to pole.

 

Samuel Beckett

 

She turned again, and this time she was closer. Her head nestled against my shoulder and she moved my hand up her body until I knew there was no marvel of engineering connected to the bra because there was no bra. And the studded belt she wore was the keystone to the whole ensemble, and when it was unsnapped the whole affair came apart in a whisper of black satin that folded back against the sand until all of her reflected the moonlight from above until I eclipsed the pale brilliance, and there was no sound except that of the waves and our breathing. Then soon even the waves were gone, and there was only the warmth of white skin and little muscles that played under my hand and the fragrance that was her mouth. The redhead had been right.

 

Mickey Spillane

 

Oh and the waves are going out
Oh and the waves are coming in
Out of the corner of my eye
I think I see you standing outside
But it's just your shirt
Hanging on the washing line
Waving it's arm as the wind blows by
And it looks so alive
Nice and white
Just like it's climbed right out
of my washing machine...

 

Kate Bush

 

An argument can be legitimately sustained only if the participants are speaking about the same level. Argumentation would — for the most part — be replaced with something akin to Niels Bohr's principle of complementarity. Information from and about the different vibratory levels of bands of consciousness — although superficially as different as X-Rays and radio waves — would be integrated and synthesized into one spectrum, one rainbow. ... Each band or level, being a particular manifestation of the spectrum, is what it is only by virtue of the other bands. The color blue is no less beautiful because it exists along side the other colors of a rainbow, and "blueness" itself depends upon the existence of the other colors, for if there were no color but blue, we would never be able to see it. In this type of synthesis, no approach, be it Eastern or Western, has anything to lose — rather, they all gain a universal context.

 

Ken Wilber

 

The magician to some degree is trying to drive him or herself mad in a controlled setting, within controlled laws. You ask the protective spirits to look after you, or whatever. This provides a framework over an essentially amorphous experience. You are setting up your terms, your ritual, your channels – but you deliberately stepping over the edge into the madness. You are not falling over the edge, or tripping over the edge.
When I was a kid, I used to go to the seaside and play in the waves. The thing you learn about waves, is that when you see a big one coming, you run towards it. You try and get out of its way and you’ll end up twenty yards up the beach covered in scratches. Dive into it, and then you can get behind it. You get on top it, you won’t be hurt. It is counter-intuitive, the impulse is to run away, but the right thing to do is to plunge into it deliberately, and be in control when you do it. Magic is a response to the madness of the twentieth century.

 

Alan Moore