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Stephane Mallarme

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Magical shadow with symbolic powers!
A voice from the distant past, an evocation,
Is it not mine prepared for incantation?
--
Nurse

 
Stephane Mallarme

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Within profound Silence, erect, fearless, in pain and in play, ascending ceaselessly from peak to peak, knowing that the height has no ending, sing this proud and magical incantation as you hang over the Abyss:
I BELIEVE IN ONE GOD, DEFENDER OF THE BORDERS, OF DOUBLE DESCENT, MILITANT, SUFFERING, OF MIGHTY BUT NOT OF OMNIPOTENT POWERS, A WARRIOR AT THE FARTHEST FRONTIERS, COMMANDER-IN-CHIEF OF ALL THE LUMINOUS POWERS, THE VISIBLE AND THE INVISIBLE.
I BELIEVE IN THE INNUMERABLE, THE EPHEMERAL MASKS WHICH GOD HAS ASSUMED THROUGHOUT THE CENTURIES, AND BEHIND HIS CEASELESS FLUX I DISCERN AN INDESTRUCTIBLE UNITY.

 
Nikos Kazantzakis
 

Sheer visual quantity evokes the magical resonance of the tribal hoard. The box office looms as a return to the echo chamber of bardic incantation.

 
Marshall McLuhan
 

The Lord's Prayer is an excellent model, but it was never intended to be a magical incantation to get God's attention. Jesus gave this prayer as a pattern to suggest the variety of elements that should be included when we pray.

 
Bill Hybels
 

Malraux's career begins in mystery with the expedition to Indo-China, the obscure affair of the missing statues, a short term of imprisonment, and a plunge into Eastern politics. The details of these matters are still unknown to us, but it is their resonance that counts. With all their shadow and uncertainty they nevertheless suggest a purity of adventure. Malraux entered the European consciousness not as a writer but as an event, as a symbolic figure somehow combining the magical qualities of youth and heroism with a sense of unlimited promise.

 
Andre Malraux
 

The mystery story is a kind of writing that need not dwell in the shadow of the past and owes little if any allegiance to the cult of the classics. It is a good deal more than unlikely that any writer now living will produce a better historical novel than Henry Esmond, a better tale of children than The Golden Age, a sharper social vignette than Madame Bovary, a more graceful and elegant evocation than The Spoils of Poynton, a wider and richer canvas than War and Peace or The Brothers Karamazov. But to devise a more plausible mystery than The Hound of the Baskervilles or The Purloined Letter should not be too difficult. Nowadays it would be rather more difficult not to.

 
Raymond Chandler
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