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... anxiety is a reflection, and in this respect is essentially different than sorrow. Anxiety is the organ by which the subject appropriates sorrow and assimilates it. Anxiety is the energy of the movement by which sorrow bores its way into one’s heart. But the movement is not swift like the thrust of a dart, it is successive; it is not once for all, but it is constantly continuing. As a passionate, erotic glance desires its object, so anxiety looks upon sorrow to desire it. As the quiet, incorruptible glance of love is preoccupied with the beloved object, so anxiety occupies itself with sorrow. But anxiety has another element in it which makes it cling even more strongly to its object, for it both loves it and fears it. Anxiety has a two-fold function. Partly it is the detective instinct which constantly touches, and by means of this probing, discovers sorrow, as it goes round about the sorrow. Or anxiety is sudden, posits the whole sorrow in the present moment, yet so that this present moment instantly dissolves in succession. Anxiety is in this sense a truly tragic category, and the old saying: quem deus vult perdere, primum dementat, (whom God wishes to destroy, he first makes insane) in truth rightly applies here. That anxiety is determined by reflection is shown by our use of words; for I always say: to be anxious about something, by which I separate the anxiety from that about which I am anxious, and I can never use anxiety in an objective sense; whereas, on the contrary, when I say “my sorrow,” it can just as well express that which I sorrow over, as my sorrow over it. In addition, anxiety always involves a reflection upon time, for I cannot be anxious about the present, but only about the future; but the past and the future, so resisting one another that the present vanishes, are reflective determinations.
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Either/Or Part I, Swenson p. 152-153

 

Soren Aabye Kierkegaard

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What we are most anxious about is our anxiety itself: the greatest of all sins, Auden learns from Kafka, is impatience—and he decides that the hero “is, in fact, one who is not anxious.” But it was inevitable that Auden should arrive at this point. His anxiety is fundamental; and the one thing that anxiety cannot do is to accept itself, to do nothing about itself—consequently it admires more than anything else in the world doing nothing, sitting still, waiting.

 

Randall Jarrell

 

Anxiety occurs because of a threat to the values a person identifies with his existence as a self ... most anxiety comes from a threat to social, emotional and moral values the person identifies with himself. And here we find that a main source of anxiety, particularly in the younger generation, is that they do not have viable values available in the culture on the basis of which they can relate to their world. The anxiety which is inescapable in an age in which values are so radically in transition is a central cause of apathy ... such prolonged anxiety tends to develop into lack of feeling and the experience of depersonalization.

 

Rollo May

 

Deep within every human being there still lives the anxiety over the possibility of being alone in the world, forgotten by God, overlooked among the millions and millions in this enormous household. One keeps this anxiety at a distance by looking at the many round about who are related to him as kin and friends, but the anxiety is still there, nevertheless, and one hardly dares think of how he would feel if all this were taken away.

 

Soren Aabye Kierkegaard

 

When it is stated in Genesis that God said to Adam, “Only from the tree of the knowledge of good and evil you must not eat,” it follows as a matter of course that Adam really has not understood this word, for how could he understand the difference between good and evil when this distinction would follow as a consequence of the enjoyment of the fruit. When it is assumed that the prohibition awakens the desire one acquires knowledge instead of ignorance, and in that case Adam must have had knowledge of freedom, because the desire was to use it. The explanation is therefore subsequent. The prohibition induces in him anxiety, for the prohibition awakens in him freedom’s possibility. What passed by innocence as the nothing of anxiety has now entered into Adam, and here again it is a nothing-the anxious possibility of being able. He has no conception of what he is able to do; otherwise-and this it what usually happens-that which comes later, the difference between good and evil, would have to be presupposed. Only the possibility of being able is present as a higher form of ignorance, as a higher expression of anxiety, because in a higher sense it both is and is not, because in a higher sense he both loves it and flees from it. The Concept of Anxiety p. 44-45

 

Soren Aabye Kierkegaard

 

Sexual anxiety is caused by the external frustration of instinctual gratification and is internally anchored by the fear of the dammed-up sexual excitation. This leads to orgasm anxiety, which is the ego's fear of the over-powering excitation of the genital system due to its estrangement from the experience of pleasure. Orgasm anxiety constitutes the core of the universal, biologically anchored pleasure anxiety. It is usually expressed as a general anxiety about every form of vegetative sensation and excitation, or the perception of such excitation and sensations. The pleasure of living and the pleasure of the orgasm are identical. Extreme orgasm anxiety forms the basis of the general fear of life.

 

Wilhelm Reich