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If a man were to stand on one leg or, in a droll dancing posture, swing his hat, and in this pose recite something true, his few listeners would fall into two classes, and he would not have many, since most of them would probably abandon him. The one class would say: How can what he says be true when he gesticulates that way? The other class would say: Well, it makes no difference whether he performs an entrechat or stands on his head or turns somersaults; what he says is true, and I will appropriate and let him go. So it is also with the imaginary construction. If what is said is earnestness to the writer, he keeps the earnestness essentially to himself. If the recipient interprets it as earnestness, he does it essentially by himself, and precisely this is the earnestness. Even in elementary education one distinguishes between “learning by rote.” The being-in-between of the imaginary construction encourages the inwardness of the two away from each other in inwardness. This form won my complete approval, and I believed I had also found that in it the pseudonymous authors continually aimed at existing and in this way sustained an indirect polemic against speculative thought. If a person knows everything but knows it by rote, the form of the imaginary construction is a good exploratory means; in this form, one even tells him what he knows, but he does not recognize it.
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Concluding Unscientific Postscript to Philosophical Fragments, Vol. I, Hong p. 264

 

Soren Aabye Kierkegaard

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I am well aware that as a human being I am very far from being a paradigm; if anything, I am a sample human being. With a fair degree of accuracy, I give the temperature of every mood and passion, and when I am generating my own inwardness, I understand these words: homo sum, nil humani a me alienum puto [I am a human being, I hold that nothing human is alien to me]. But humanly no one can model himself on me, and historically I am even less a prototype for any human being. If anything, I am someone who could be needed in a crisis, as a guinea pig that life uses to feel its way. A person half as reflective as I would be able to be of significance for many people, but precisely because I am altogether reflective I have none at all. As soon as I am outside my religious understanding, I feel as an insect with which children are playing must feel, because life seems to have dealt with me so unmercifully; as soon as I am inside my religious understanding, I understand that precisely this has absolute meaning for me. Hence, that which in one case is a dreadful jest is in another sense the most profound earnestness. Earnestness is basically not something simple, a simplex, but is a compositum [compound], for true earnestness is the unity of jest and earnestness.

 

Soren Aabye Kierkegaard

 

One mode of emotional excitability is exceedingly important in the composition of the energetic character, from its peculiarly destructive power over inhibitions. I mean what in its lower form is mere irascibility, susceptibility to wrath, the fighting temper; and what in subtler ways manifests itself as impatience, grimness, earnestness, severity of character. Earnestness means willingness to live with energy, though energy bring pain. The pain may be pain to other people or pain to one's self — it makes little difference; for when the strenuous mood is on one, the aim is to break something, no matter whose or what. Nothing annihilates an inhibition as irresistibly as anger does it; for, as Moltke says of war, destruction pure and simple is its essence.

 

William James

 

Patience is only one faculty; earnestness the devotion of all the faculties. Earnestness is the cause of patience; it gives endurance, overcomes pain, strengthens weakness, braves dangers, sustains hope, makes light of difficulties, and lessens the sense of weariness in overcoming them.

 

Christian Nestell Bovee

 

The ultimate goal of all visual artistic activity is construction! Architects, painters and sculptors must learn again to know and understand the multi-faceted form of building in its entirety as well as its parts. Only then will they of their own accord fill their works with the architectonic spirit they have lost in the art of the salon. Let us establish a new guild of craftsmen without the presumption of class distinctions building a wall of arrogance between craftsmen and artists. Together let us call for, devise and create the construction of the future, comprising everything in one form: architecture, sculpture and painting.

 

Walter Gropius

 

I can deal with functionality on a practical level. And I still have this relationship with this imaginary snake. My imaginary pal. If I’m going to be dealing in totally imaginary territory, it struck me that it would be useful to have a native as a guide. So I can have my imaginary conversations with my imaginary snake, and maybe it gives me information I already knew in part of myself, and maybe I just needed to make up an imaginary snake to tell me it.

 

Alan Moore