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Simone Weil

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It is precisely those artists and writers who are most inclined to think of their art as the manifestation of their personality who are in fact the most in bondage to public taste.
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p. 57

 
Simone Weil

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One is also reminded of how in art the tortoise so often overtakes the hare. Not all, but too many of the best writers, composers, and artists of our time begin to be acclaimed only when they no longer have anything to say and take to performing instead of stating. This is how they first become accessible to broad taste, which is lazy taste, and by the same token to the processes of publicity and consecration. As long as they were trammeled up in the urgency of getting things said they were too difficult, too "controversial."

 
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Taste was his world. Rilke behaved as if art were taste elevated to the highest possible degree. The armigerous chatelaines who played hostess were happy to believe it, since the idea made them artists too.

 
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He’s one of the most important, if not the most important, writers and artists ever to work in children’s literature. In fact, he’s a significant writer and artist in literature. Period.

 
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