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Gregorian chant, Romanesque architecture, the Iliad, the invention of geometry were not, for the people through whom they were brought into being and made available to us, occasions for the manifestation of personality. [p.55]

 

Simone Weil

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I was attracted to Romanesque sculptures, to the complete re-invented figures and the freedom with which the Romanesque artist constructed them. He does not copy, he creates in a totally anti-Renaissance fashion can say that in Romanesque sculpture I have found a starting point for distortion.

 

Fernand Leger

 

Often, the program ends up amazing. You'll say, "This is beautifully architected." Well, where did that architecture come from?
In this case, architecture means the systematic way we deal with diverse requirements. Architecture allows us, when we go to do work we need to do on the program, to find where things go. It is a system that was worked into the program by all the little decisions we made — little decisions that were right, and little decisions that were wrong and corrected. In a sense we get the architecture without really trying. All the decisions in the context of the other decisions simply gel into an architecture.

 

Ward Cunningham

 

Development of Western Science is based on two great achievements, the invention of the formal logical system (in Euclidean geometry) by the Greek philosophers, and the discovery of the possibility to find out causal relationships by systematic experiment (Renaissance). In my opinion one has not to be astonished that the Chinese sages have not made these steps. The astonishing thing is that these discoveries were made at all.

 

Albert Einstein

 

Function and purpose define architecture as a practical arrangement, while form defines architecture as a manifestation of apparition. The world of appariation that we cannot exist without (Max Horkheimer), is a psychological issue related to form. (Funktion und Zweck definieren Architektur als praktisches Bauwerk, die Gestalt definiert Architektur als Erscheinungsform. Die Welt der Erscheinungen, ohne die wir nicht leben können (Max Horkheimer), ist ein gestaltpsychologisches Problem.

 

Justus Dahinden

 

What I saw in Barcelona – Gaudí – was the work of such strength, such faith, of an extraordinary technical capacity, manifested during a whole life of genius; of a man who carved the stones before his eyes in well thought out pattern. Gaudí is the ‘builder’ of the turn of the century, a man adept with stone, iron and brick. His glory is seen today in his country. Gaudí was a great artist; only those who move the sensitive hearts of gentle people remain. But they are mistreated in the course of their lives, misunderstood or accused of sin toward the mode of the day. Architecture’s significance is shown when there dominates evidence of lofty intentions that triumph over all the problems in the line of fire (structure, economy, technique, utility). Thanks to interior preparation, architecture is the fruit of character – just that, a manifestation of character.

 

Antonio Gaudi