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Concern for the symbol has completely disappeared from our science. And yet, if one were to give oneself the trouble, one could easily find, in certain parts at least of contemporary mathematics... symbols as clear, as beautiful, and as full of spiritual meaning as that of the circle and mediation. From modern thought to ancient wisdom the path would be short and direct, if one cared to take it.
--
The Need for Roots (1949) p. 292

 

Simone Weil

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But this I thought was the meaning of life, that the individual shook off the habit of accepting the favors of difference, should that be tempting, steeled himself against its humiliation, should that weigh down on him, in order to find the universal, what is common to all human beings, to concern oneself only with that. Oh! How beautiful to lose oneself in this way. But then I thought again that in the having of this concern the meaning of life was to be concerned for oneself as if the particular individual were all there was. Oh! How beautiful thus to find oneself in the universal! If the universal is the rule then the individual is the paradigm [corrected from demand]; if the universal is the demand then the universal is the fulfillment; if the universal is everything, if the universal says everything, then the particular individual believes that the everything is said about him-him alone. So if the place and context here did not require signature, none would be needed, for again it is infinitely inconsequential who has said it (as though the favored one said it, the one who was wronged being in no position to say it, since after all they all have it in them to do it).

 

Soren Aabye Kierkegaard

 

I was asked to collect information where the symbols of our Banner of Peace could be found. It turned out that the symbol of the Holy Trinity has been scattered all over the world. This has been explained in various ways. Some say it means the past, present and future, bound by the ring of eternity. Others find it more palatable to explain it as religion, knowledge and art in the ring of Culture. Obviously there were various explanations already in the ancient times, but the symbol, the sign itself had become fixed all over the world. ... You can find it on the ancient icon in Bar depicting St.Nicholas. The same is on the centuries-old image of St.Sergius. It is on the image of Holy Trinity. It is on the coat of arms of Samarkand. It is on ancient Ethiopian and Coptic antiquities. It is on Mongolian rocks. It is on Tibetan rings. The steed of happiness on the Himalayan Mountains passes bears the same flaming sign. It is on all the brooches of Lahuli, Ladakhi and Himalayan Mountains. It is on Buddhist banners. Going back to the Neolithic depths we can find the same sign in the ornaments decorating their pottery. ... And that is why the symbol was chose for all uniting Banner as the symbol that has passed through centuries, more exactly — millennia. The symbol was not a mere decorating ornament all over, it bore a very special meaning. Collecting all its images together, we might prove that it is the most extensively spread and ancient one among all the symbols of mankind. No one can claim that it belongs but to one religion or is based on the only one folk-lore. It would be very beneficial to glance at the evolution of human consciousness in its variegated forms.

 

Nicholas Roerich

 

Within the scientific skeleton of truth, religious meaning attempts to flourish, often by denying the scientific framework itself — rather like sawing off the branch where you cheerily perch. The disgust is mutual because modern science gleefully denies virtually all the basic tenets of religion in general. According to the typical view of modern science, religion is not much more than a holdover from the childhood of humanity, with about as much reality as, say, Santa Claus. Whether the religious claims are more literal (Moses parting the Red Sea) or more mystical (religion invovlves direct spiritual experience) modern science denies them all, simply because there is no credible empirical evidence for any of them.

 

Ken Wilber

 

Stevens' way of informing us comes in language and imagery so radically different from previous times that it is difficult to recognize exactly what he means. But throughout his poetry he speaks, like the mystics, primarily of the nature of our relationship with the universe. He continually circles back to the idea that we actively participate in what the world looks like and what it means. Although cast in modern terms, this idea is profoundly spiritual and moral.
Since he gives no evidence of any direct visionary experience, it's not possible to say Stevens is a "mystic" or a "contemplative" poet. But he is a major figure in modern poetry because he synthesizes the concerns of the modern world — the emphasis on the human self as maker of meaning, the emphasis on scientific rationality, the emphasis on creating new forms to replace outmoded beliefs — with the perennial concerns of the human spirit. To find meaning, or the good — or by implication, God — we need to radically adjust our conception of reality. This takes powerful acts of individual imagination, and the possibilities are immense... Contrary to all appearances, to the difficulty of his verse, and to the preoccupied, distracted interpretations of contemporary critics, Wallace Stevens' poetry is a profoundly spiritual force. Anyone interested in the spiritual problems of modern humans must reckon with it.

 

Wallace Stevens

 

The most influential mathematics textbook of ancient times is easily named, for the Elements of Euclid has set the pattern in elementary geometry ever since. The most effective textbook of the medieval age is less easily designated; but a good case can be made out for the Al-jabr of Al-Khwarizmi, from which algebra arose and took its name. Is it possible to indicate a modern textbook of comparable influence and prestige? Some would mention the Géométrie of Descartes or the Principia of Newton or the Disquisitiones of Gauss; but in pedagogical significance these classics fell short of a work by Euler titled Introductio in analysin infinitorum.

 

Leonhard Euler