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When Sartre and I met not only did our backgrounds fuse, but also our solidity, our individual conviction that we were what we were made to be. In that framework we could not become rivals. Then, as the relationship between Sartre and me grew, I became convinced that I was irreplaceable in his life, and he in mine. In other words, we were totally secure in the knowledge that our relationship was also totally solid, again preordained, though, of course, we would have laughed at that word then. When you have such security it's easy not to be jealous. But had I thought that another woman played the same role as I did in Sartre's life, of course, I would have been jealous.
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Interview by John Gerassi in Society (January-February 1976)

 

Simone De Beauvoir

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Both Borges and Sartre, from their totally different extremes of denying literature a social purpose, were certainly perfectly aware that it has its implicit and unalterable social role in exploring the state of being, from which all other roles, personal among friends, public at the protest demonstration, derive. Borges was not writing for his friends, for he published and we all have received the bounty of his work. Sartre did not stop writing, although he stood at the barricades in 1968.

 

Nadine Gordimer

 

The Theatre of the Absurd strives to express its sense of the senselessness of the human condition and the inadequacy of the rational approach by the open abandonment of rational devices and discursive thought. While Sartre or Camus express the new content in the old convention, the Theatre of the Absurd goes a step further in trying to achieve a unity between its basic assumptions and the form in which these are expressed. In some senses, the theatre of Sartre and Camus is less adequate as an expression of the philosophy of Sartre and Camus — in artistic, as distinct from philosophic, terms — than the Theatre of the Absurd.

 

Martin Esslin

 

The world is amazed at how 'cruel' it is! (This is very funny to think about!) And then, when the 'chips are down' (Sartre's favorite expression), Sartre, who has never gambled but is enamored of the terminology of a kind of daring that doesn't involve getting his ass skinned, 'martyrs' himself. It is the same kind of responsibility anyone takes upon himself by submitting to your bad opinion of him by hanging his head and agreeing with all the accusations - and then, when he has done that, forlornly tells you he is sorry it rained last night, sorry the price of tea went up, etc. etc.

 

Jack Abbot

 

Kierkegaard is an Existentialist because he accepts, as fully as Sartre or Camus, the absurdity of the world. But he does not begin with the postulate of the non-existence of God, but with the principle that nothing in the world, nothing available to sense or reason, provides any knowledge or reason to believe in God. While traditional Christian theologians, like St. Thomas Aquinas, saw the world as providing evidence of God's existence, and also thought that rational arguments a priori could establish the existence of God, Kierkegaard does not think that this is the case. But Kierkegaard's conclusion about this could just as easily be derived from Sartre's premises. After all, if the world is absurd, and everything we do is absurd anyway, why not do the most absurd thing imaginable? And what could be more absurd than to believe in God? So why not? The atheists don't have any reason to believe in anything else, or really even to disbelieve in that, so we may as well go for it!

 

Soren Aabye Kierkegaard

 

I could see clearly that this problem could only be solved on the individual and personal level; political revolt is irrelevant. Both Camus and Sartre had been neatly hog-tied by their earlier radicalism. Camus came to see that rebellion is a political roundabout that revolves back to the same old tyranny; too ashamed to admit that he had outgrown his leftism, he found himself in an intellectual cul-de-sac. Sartre accused Camus of being a reactionary; but he paid for his own refusal to reexamine hos political convictions by congealing into a grotesque attitude of permanent indignation, shaking his fist at some abstract Authority. Where politics is concerned, he seemed determined to be guided by his emotions.

 

Colin Wilson