A dilemma of la Madonna.

 

A dilemma of la Madonna.
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"SMD Collection" Santiago Martinez Delgado por Joaquín Pineros, periódico el Tiempo - Based on the Dilemma by the Raphael Painting...

 

Santiago Martinez Delgado

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I have described the human dilemma as the capacity of man to view himself as object and as subject. My point is that both are necessary — necessary for psychological science, for effective therapy, and for meaningful living. I am also proposing that in the dialectical process between these two poles lies the development, and the deepening and widening, of human consciousness. The error on both sides — for which I have used Skinner and the pre-paradox Rogers as examples — is the assumption that one can avoid the dilemma by taking one of its poles. It is not simply that man must learn to live with the paradox — the human being has always lived in this paradox or dilemma, from the time that he first became aware of the fact that he was the one who would die and coined a word for his own death. Illness, limitations of all sorts, and every aspect of our biological state we have indicated are aspects of the deterministic side of the dilemma — man is like the grass of the field, it withereth. The awareness of this, and the acting on this awareness, is the genius of man the subject. But we must also take the implications of this dilemma into our psychological theory. Between the two horns of this dilemma, man has developed symbols, art, language, and the kind of science which is always expanding in its own presuppositions. The courageous living within this dilemma, I believe, is the source of human creativity.

 

Rollo May

 

Ashanti: "Yeah, Madonna is ill. All the clamps and chains people had on what women can and cannot do — she just broke them. And I really wasn’t up on Madonna until my cousin — who’s six years older than me and my favorite relative on the planet; we’re more like sisters — when I was eight or nine I said, ‘Why you got these posters of that white lady all over your room?’ She’s like, ‘This is Madonna!’"

 

Madonna Ciccone

 

Ashanti: "Yeah, Madonna is ill. All the clamps and chains people had on what women can and cannot do — she just broke them. And I really wasn’t up on Madonna until my cousin — who’s six years older than me and my favorite relative on the planet; we’re more like sisters — when I was eight or nine I said, ‘Why you got these posters of that white lady all over your room?’ She’s like, ‘This is Madonna!’"

 

Madonna

 

Christoph Waltz: "It was fantastic (partying with Madonna). Everyone was there. I fought my way through because I mean, this is the hostess, the least I can do is thank her for the invitation. It was difficult, it took me about an hour and a half... In the end, I got there, and apparently I was standing right in front of her. You know, I looked for Madonna and there was this chick dancing, 'Where's Madonna?' (pointing at the girl). That was her, she was dancing like... I thought she was, you know, 23-24."

 

Madonna Ciccone

 

Christoph Waltz: "It was fantastic (partying with Madonna). Everyone was there. I fought my way through because I mean, this is the hostess, the least I can do is thank her for the invitation. It was difficult, it took me about an hour and a half... In the end, I got there, and apparently I was standing right in front of her. You know, I looked for Madonna and there was this chick dancing, 'Where's Madonna?' (pointing at the girl). That was her, she was dancing like... I thought she was, you know, 23-24."

 

Madonna