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So far is it from being true that men are naturally equal, that no two people can be half an hour together, but one shall acquire an evident superiority over the other.
--
Feb. 15, 1766, p. 145.

 

Samuel Johnson

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Memento mori—remember death! These are important words. If we kept in mind that we will soon inevitably die, our lives would be completely different. If a person knows that he will die in a half hour, he certainly will not bother doing trivial, stupid, or, especially, bad things during this half hour. Perhaps you have half a century before you die—what makes this any different from a half hour?

 

Leo Tolstoy

 

That Jesus Christ was not God is evident from his own words, where, speaking of the day of judgment, he says, "Of that day and hour knoweth no man, no not the angels which are in Heaven, neither the Son, but the Father." This is giving up all pretention to divinity, acknowledging in the most explicit manner, that he did not know all things, but compares his understanding to that of man and angels; "of that day and hour knoweth no man, no not the angels which are in heaven, neither the Son." Thus he ranks himself with finite beings, and with them acknowledges, that he did not know the day and hour of judgment, and at the same time ascribes a superiority of knowledge to the father, for that he knew the day and hour of judgment.

 

Ethan Allen

 

I can remember times coming home from a chess club at four in the morning when I was half asleep and half dead and forcing myself to pray an hour and study (the Bible) an hour. You know, I was half out of my head-stoned almost.

 

Bobby Fischer

 

By one hour's intimate access to the throne of grace, where the Lord causes his glory to pass before the soul that seeks him, you may acquire more true spiritual knowledge and comfort, than by a day or a week's converse with the best of men, or the most studious perusal of many folios.

 

John Newton

 

The more I think about colour, the more convinced I become that this reflected half-tint is the principle that must predominate, because it is this that gives the true tone, the tone that constitutes the value, the thing that matters in giving life and character to the object. Light, to which the schools teach us to attach equal importance and which they place on the canvas at the same time as the half-tint and shadow, is really only an accident. Without grasping this principle, one cannot understand true colour, I mean the colour that gives the feeling of thickness and depth and of that essential difference that distinguishes one object from another.

 

Eugene Delacroix