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Ah! let not Censure term our fate our choice,
The stage but echoes back the public's voice;
The drama's laws the drama's patrons give,
For we that live to please must please to live.

 

Samuel Johnson

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To God, world history is the royal stage where he, not accidentally but essentially, is the only spectator, because he is the only one who can be that. Admission to this theater is not open to any existing spirit. If he fancies himself a spectator there, he has simply forgetting that he himself is supposed to be the actor in that little theater and is to leave it to that royal spectator and poet how he wants to use him in that royal drama, The Drama of Dramas. This applies to the living, and only they can be told how they ought to live; and only by understanding this for oneself can one be lead to reconstruct a dead person’s life, if it must be done at all and if there is time for it. But it is indeed upsidedown, instead of learning by living one’s own life, to have the dead live again, then to go on wanting to learn from the dead, whom one regards as never having lived, how one ought-indeed, it is unbelievable how upside-down it is-to live-if one is already dead. Concluding Unscientific Postscript, Hong p. 158

 

Soren Aabye Kierkegaard

 

If there is no point in the universe that we discover by the methods of science, there is a point that we can give the universe by the way we live, by loving each other, by discovering things about nature, by creating works of art. And that—in a way, although we are not the stars in a cosmic drama, if the only drama we're starring in is one that we are making up as we go along, it is not entirely ignoble that faced with this unloving, impersonal universe we make a little island of warmth and love and science and art for ourselves. That's not an entirely despicable role for us to play.

 

Steven Weinberg

 

“Every drama school in the country turned me down, and so I was lucky to study drama at all, even if it was lowly Birmingham University. But even when I came out with my degree, my mother promptly insisted I go straight to secretarial college to have something to fall back on, just in case – which didn’t exactly fill me with confidence.”

 

Tamsin Greig

 

Art for art's sake has never flourished in England. We are often called inartistic because our art is unconscious. Our drama and poetry, like our laws and our constitution, have evolved by accident while we thought we were doing something else, and so it will be with music. The composer must not shut himself up and think about art, he must live with his fellows and make his art an expression of the whole life of the community – if we seek for art we shall not find it.

 

Ralph Vaughan Williams

 

As poets we do not ask permission before we begin to practise, for there is no authority to license us. We do not inquire whether it is still possible to pen a drama, for the answer to that question is ours alone to give. It is our drama, spoken or sung, that asserts our right to the title of poet. It is our decision that counts, and not the opinion of some theatre management, or the ponderings of the critic, or even the advice of our friendliest mentors.

 

James Fenton