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It's like a book, I think, this bloomin' world,
Which you can read and care for just so long,
But presently you feel that you will die
Unless you get the page you're readin' done,
An' turn another—likely not so good;
But what you're after is to turn 'em all.
--
Sestina of the Tramp-Royal, Stanza 6.

 

Rudyard Kipling

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I don't know if Native Son is a good book or a bad book. And I don't know if the book I'm working on now will be a good book or a bad book. And I really don't care. The mere writing of it will be more fun and a deeper satisfaction than any praise or blame from anybody. I feel that I'm lucky to be alive to write novels today, when the whole world is caught in the pangs of war and change.

 

Richard Wright

 

Of this fair volume which we World do name
If we the sheets and leaves could turn with care,
Of him who it corrects, and did it frame,
We clear might read the art and wisdom rare.

 

William Drummond

 

When I started writing my first novel, ...And Call Me Conrad, they always say: "Write about what you know" and I said "Well, if I get a nice sort of combination SF and Fantasy with these resonances from Greek Mythology it might be pretty good. It would also give me a chance to start filling in my background on all those things I don't know much about but should if I want to be an SF writer."
So I sat down and made a list of everything I felt I should know more about. Astrophysics, oceanography, marine biology, genetics... Then when I'd finished the list I read one book in each of these areas. When I'd finished I went back and read a second book until I'd read ten books in each area. I thought that it wouldn't turn me into a terrific, fantastic expert but I'd at least have enough material there to know if I was saying something wrong. And I'd also know where to turn to get the information I want to make it right.
While I was doing this, to keep the words and cheques flowing I wrote books involving mythology. And once I started picking up things involving astrophysics I'd write stories that played with those sorts of things. So that's why I started out with mythology.

 

Roger Zelazny

 

The author qua author is thereby also in the fortunate position of owing no one anything. I am referring to critics, reviewers, intermediaries, appraisers, etc., who in the literary world are just like the tailors, who in civil life “create the man”-they set the fashion of the author, the point of view of the reader. With their help and art, a book amounts to something. But then it is with these benefactors as, according to Baggesen, with the tailors: “In turn they slay people with bills for the creation.” One comes to owe them everything, yet without even being able to pay off this debt with a new book, because the importance of the new book, if it comes to have any, will in turn be due to the art and help of these benefactors.

 

Soren Aabye Kierkegaard

 

To everything (turn, turn, turn)
There is a season (turn, turn, turn)
And a time for every purpose under heaven.

 

Pete Seeger