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Ruben Dario

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I seek a form that my style cannot discover,
a bud of thought that wants to be a rose.
--
Prosas Profanas y Otros Poemas (Profane Hymns and Other Poems). I Seek a Form (1896)

 
Ruben Dario

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Come near, come near, come near — Ah, leave me still
A little space for the rose-breath to fill!
Lest I no more bear common things that crave;
The weak worm hiding down in its small cave,
The field-mouse running by me in the grass,
And heavy mortal hopes that toil and pass;
But seek alone to hear the strange things said
By God to the bright hearts of those long dead,
And learn to chaunt a tongue men do not know.
Come near; I would, before my time to go,
Sing of old Eire and the ancient ways:
Red Rose, proud Rose, sad Rose of all my days.

 
William Butler Yeats
 

Some painters, including myself, do not care what chair they are sitting on. It does not even has to be a comfortable one. They are too nervous to find out were they ought to sit. They do not want to ‘sit in style’. Rather they have found that painting – any kind of painting, any style of painting – to be painting at all, in fact – a style of living, so to speak. That is where the form of it lies. It is exactly in its uselessness that it is free. Those artists don’t want to conform. They only want to be inspired.

 
Willem de Kooning
 

India of the ages is not dead nor has she spoken her last creative word; she lives and has still something to do for herself and the human peoples. And that which must seek now to awake is not an anglicised oriental people, docile pupil of the West and doomed to repeat the cycle of the occident's success and failure, but still the ancient immemorable Shakti recovering her deepest self, lifting her head higher towards the supreme source of light and strength and turning to discover the complete meaning and a vaster form of her Dharma.

 
Sri Aurobindo
 

A rose is a rose is a rose is a rose said my old friend Gertrude Stein.

 
Gertrude Stein
 

The older I get, the more I seek to use a plain prose style, concentrating more on story.

 
John Scott
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