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I want to finish work on my mother's juvenile (Farmer Boy manuscript) by the end of June. There's a curious half-angry reluctance in my writing for other people. I say to myself that whatever earnings there may be are all in the family. Also I seize upon this task as an excuse to postpone my own work.
--
Diary (May 29, 1933)

 

Rose Wilder Lane

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Who is Gloria Estefan today? I'm very fulfilled as a woman. I've been able to have a wonderful family life, a fantastic career. I have a lot of good friends around me. My family has been my grounding point, and rooted me deeply to the earth. . . I'm very happy. I've done everything I ever wanted to do. The key to me was -- I told my husband when we were in our 20s -- I'm going to work really hard, so one day I won't have to work so hard. And to me what that was, was having choices. And I do have choices now -- and I have take full advantage of that. It's important for me now to be here for my little girl [Emily, age 12]. My son is full grown -- and I know have quickly that goes. So, I'm balancing being a mother -- which to me is the most important role I have on this earth -- and still being creative, writing -- which is what I love to do. So, I've been able to branch out into not just writing songs like you have heard through the years -- but writing children's books, writing a screenplay. But at my core that's what I am: a writer. And that's what I enjoy doing behind the scenes: writing the songs for albums, recording it. And that's why you have seen me take more of a back seat to being the center of attention, and being out on tour and doing that kind of thing. I've stepped up a lot of my charity work. This year, the five concerts I did were all for charity: different ones and my own foundation. So, that's becoming a bigger and bigger part of my life -- as I wanted it to be. And [I keep] just growing and evolving.

 

Gloria Estefan

 

If you love what you do, you can balance and you can juggle (work and family). You have to set your priorities straight. You can't just work, work, work. Because then all of a sudden, you don't have a family...then why did you work so much when you're all by yourself in the end? So for me, I always wanted to have a family, for me that was the most important thing, and I found a man that wanted to have that with me.

 

Heidi Klum

 

I found Robert A. Heinlein in back issues of Astounding, and also in The Saturday Evening Post, and I read everything of his I could find. I was completely hooked on his "juveniles": Space Cadet. Red Planet. Starman Jones. Between Planets. Farmer in the Sky. Wonderful stories, and the only thing "juvenile" about them was that he took the trouble to explain what was happening. Robert once told me that young people want to know how things work, and you can tell them more in a "juvenile" than you can in an adult novel. In any event I devoured everything of his I could find, through high school, the army, college, and I couldn’t have cared less that many were "juveniles". They were wonderful.
I met Robert Heinlein years later, and through some kind of rare magic we became instant friends. We corresponded for a decade. In those days I was an engineering psychologist, operations research specialist, and systems engineer in aerospace. Most of my work was military aerospace, but I did get to work on Mercury, Gemini, and Apollo. We were helping to make the dream come true!
I went from there to a professorship, and then into political management and city government. Robert visited me when I was working for Mayor Sam Yorty. "You probably don’t know this," he said, "but my political career ended when Yorty beat me for the Democratic nomination to the State Assembly."
When I finally decided to get out of politics, academia, and the aerospace industry and try my hand at writing, Mr. Heinlein was enormously helpful. Years later, when I was an established writer, I asked him how I could pay him back.
"You can’t," he said. "You don’t pay back, you pay forward." I never forgot that, just as I never forgot the wonderful things his ‘juvenile’ stories did for me.

 

Robert A. Heinlein

 

As for the general idea of what one would do if certain of death in an hour—I fancy most persons in normal health tend to sentimentalise and romanticise a bit about it. For my part—as a realist beyond the age of theatricalism and naive beliefs—I feel quite certain that my own known last hour would be spent quite prosaically in writing instructions for the disposition of certain books, manuscripts, heirlooms, and other possessions. Such a task would—in view of the mental stress—take at least an hour—and it would be the most useful thing I could do before dropping off into oblivion. If I did finish ahead of time, I'd probably spend the residual minutes getting a last look at something closely associated with my earliest memories—a picture, a library table, an 1895 Farmer's Almanack, a small music-box I used to play with at 2 ?, or some kindred symbol—completing a psychological circle in a spirit half of humour and half of whimsical sentimentality. Then—nothingness, as before Aug. 20, 1890.

 

H. P. Lovecraft

 

"This is f**king stupid. People are using it just for an excuse not to work." "I'm Jewish like other guys. I didn't use this for an excuse not to work. In Israel, in the army, during religious holidays... they fight. You know. They're not supposed to, but they do, because, that's the way it is. They have to."

 

Lenny Veltman