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In politics, he has always been a republican with advanced Socialist sympathies, and internationalist at heart, and, as they said in the eighteenth century, a "citizen of the world." He has always fought social injustice. In art, he loves, above all, Beethoven, Shakespeare, and Goethe... Rembrandt is the painter dearest to him. But his chosen country is Italy.
--
On himself, as quoted in World Authors 1900-1950 (1996)

 

Romain Rolland

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For four hundred years the human race has not made a step but what has left its plain vestige behind. We enter now upon great centuries. The sixteenth century will be known as the age of painters, the seventeenth will be termed the age of writers, the eighteenth the age of philosophers, the nineteenth the age of apostles and prophets. To satisfy the nineteenth century, it is necessary to be the painter of the sixteenth, the writer of the seventeenth, the philosopher of the eighteenth; and it is also necessary, like Louis Blane, to have the innate and holy love of humanity which constitutes an apostolate, and opens up a prophetic vista into the future. In the twentieth century war will be dead, the scaffold will be dead, animosity will be dead, royalty will be dead, and dogmas will be dead; but Man will live. For all there will be but one country—that country the whole earth; for all there will be but one hope—that hope the whole heaven.

 

Victor Hugo

 

It is an incontestable fact that the word "Jew" did not come into existence until the year 1775. Prior to 1775 the word "Jew" did not exist in any language. The word "Jew" was introduced into the English for the first time in the 18th century when Sheridan used it in his play "The Rivals", II,i, "She shall have a skin like a mummy, and the beard of a Jew". Prior to this use of the word "Jew" in the English language by Sheridan in 1775 the word "Jew" had not become a word in the English language. Shakespeare never saw the word "Jew" as you will see. Shakespeare never used the word "Jew" in any of his works, the common general belief to the contrary notwithstanding. In his "Merchant of Venice", V.III.i.61, Shakespeare wrote as follows: "what is the reason? I am a Iewe; hath not a Iewe eyes?".

 

Benjamin H. Freedman

 

We now live in a world where we are related by economics, politics, the environment, technology and human nature. We can no longer think of the people and problems in other parts of the world as “foreign” to us. David certainly understood this early in the game, and has been a tireless and inspirational advocate in this regard. He wears the badge of "proud internationalist" openly, as do I.

 

David Rockefeller

 

The eighteenth-century theories of the social contract have been exposed to much clumsy criticism in our time; in so far as they meant that there is at the back of all historic government an idea of content and co-operation, they were demonstrably right. But they really were wrong, in so far as they suggested that men had ever aimed at order or ethics directly by a conscious exchange of interests. Morality did not begin by one man saying to another, "I will not hit you if you do not hit me"; there is no trace of such a transaction. There IS a trace of both men having said, We must not hit each other in the holy place. They gained their morality by guarding their religion. They did not cultivate courage. They fought for the shrine, and found they had become courageous. They did not cultivate cleanliness. They purified themselves for the altar, and found that they were clean.

 

Gilbert Keith Chesterton

 

A thoughtful historian tells us that, between the Middle Ages and the nineteenth century, Italy produced three great men. As the first of these, he names Machiavelli, who he says, "taught the world to understand political despotism and to hate it"; as the second, he names Sarpi, who "taught the world after what manner the Holy Spirit guides the Councils of the Church"; and as the third, Galileo, who "taught the world what dogmatic theology is worth when it can be tested by science."

 

Andrew Dickson White