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Regarding the spate of High School shootings of 1999: "in the Colorado shootings, the media seemed to change their tack a bit. Though they attached ghoulishly to it, covered it 24 hours a day and even gave it a logo like 'Horror in the Rockies', they did address issues of alienation and pain rather than just saying, 'oh, these aberrant teen-agers have to be stamped out.' After denigrating self-help ideas for the last 20 years, the media are beginning to look at the psychology and not just the police work."
--
USA Today, 1999

 

Roger Waters

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The shootings are a direct assault on the American Dream- which is why they are so disturbing. The fear reflects how unsettling and piercing the crime is. And the fear reflects a still-censored recognition that the shootings have widespread sympathy among students, and that any student, at any school, could be next. (Page 184)

 

Mark Ames

 

"On balance, the Islamic media's taste for what the West terms sensationalizing and conspiracy mongering is less than meets the eye. Based on my research, it is apparent that the Islamic media's correspondents and editors work harder, dig deeper, and think more than most of their Western counterparts. This is not to say that the Islamic media do not suffer from sensationalized conspiracy theories, but they probably are no more prone to those faults than their Western colleagues."

 

Michael Scheuer

 

"...because we don't have a Fairness Doctrine, and because we have further media consolidation, and because we have a craptastic corporate media, WE DON'T HAVE NEWS! We don't have an informed populous and we don't have a democracy... Everyone in the world knows that America, (in its current state, because of right-wingers) that the right wing arm of this country (that speaks for this country unfortunately) has no credibility when it comes to human rights or independent media."

 

Janeane Garofalo

 

It is the media that controls the boundaries of what is politically permissible, so better to change the media. Profit motives work against it, but if we can have the audience understand that most other forms of journalism are not credible, then it may be a forced move.

 

Julian Assange

 

Let me tell you a story. The day after Columbine, I was interviewed for the Tom Brokaw news program. The reporter had been assigned a theory and was seeking sound bites to support it. "Wouldn't you say," she asked, "that killings like this are influenced by violent movies?" No, I said, I wouldn't say that. "But what about Basketball Diaries?" she asked. "Doesn't that have a scene of a boy walking into a school with a machine gun?" The obscure 1995 Leonardo Di Caprio movie did indeed have a brief fantasy scene of that nature, I said, but the movie failed at the box office (it grossed only $2.5 million), and it's unlikely the Columbine killers saw it. The reporter looked disappointed, so I offered her my theory. "Events like this," I said, "if they are influenced by anything, are influenced by news programs like your own. When an unbalanced kid walks into a school and starts shooting, it becomes a major media event. Cable news drops ordinary programming and goes around the clock with it. The story is assigned a logo and a theme song; these two kids were packaged as the Trench Coat Mafia. The message is clear to other disturbed kids around the country: If I shoot up my school, I can be famous. The TV will talk about nothing else but me. Experts will try to figure out what I was thinking. The kids and teachers at school will see they shouldn't have messed with me. I'll go out in a blaze of glory."
In short, I said, events like Columbine are influenced far less by violent movies than by CNN, the NBC Nightly News and all the other news media, who glorify the killers in the guise of "explaining" them. I commended the policy at the Sun-Times, where our editor said the paper would no longer feature school killings on Page 1. The reporter thanked me and turned off the camera. Of course the interview was never used. They found plenty of talking heads to condemn violent movies, and everybody was happy.

 

Roger Ebert