It's strange: We leave the movie having enjoyed its conclusion so much that we almost forgot our earlier reservations. But they were there, and they were real.
--
Review of The Goodbye Girl (January 1, 1977)Roger Ebert
The metaphor is perhaps one of man's most fruitful potentialities. Its efficacy verges on magic, and it seems a tool for creation which God forgot inside one of His creatures when He made him. All our other faculties keep us within the realm of the real, of what is already there. The most we can do is to combine things or to break them up. The metaphor alone furnishes an escape; between the real things, it lets emerge imaginary reefs, a crop of floating islands. A strange thing, indeed, the existence in man of this mental activity which substitutes one thing for another — from an urge not so much to get at the first as to get rid of the second.
Jose Ortega y Gasset
All this could be enough -- we would leave an Impressionist painting at this stage -- probably much earlier -- and leave it possibly with great satisfaction.
Peter Greenaway
Be willing to let people leave the church. And I told you earlier the fact that people are gonna leave the church no matter what you do. But when you define the vision, you're choosing who leaves. You say, "But Rick, yes, they're the pillars of the church." Now, you know what pillars are. Pillars are people who hold things up ... And in your church, you may have to have some blessed subtractions before you have any real additions.
Rick Warren
The real movie stars were Humphrey Bogart, Lauren Bacall, Spencer Tracy, Montgomery Clift. How could I put myself in the same category as Clark Gable? Tom Cruise is a great movie star. Do I consider myself a movie star? I consider myself a guy with a good job, an interesting job.
Johnny Depp
I think politicians and movie actors and movie executives are similar in more ways than they’re different. There is an egocentric quality about both; there is a very sensitive awareness of the public attitude, because you live or die on public favor or disfavor. There is the desire for publicity and for acclaim, because, again, that’s part of your life... And in a strange and bizarre way, when movie actors come to Washington, they’re absolutely fascinated by the politicians. And when the politicians go to Hollywood, they’re absolutely fascinated by the movie stars. It’s a kind of reciprocity of affection by people who both recognize in a sense they’re in the same racket.
Jack Valenti
Ebert, Roger
Ebner-Eschenbach, Marie von
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