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Roger Ebert

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I read all the movie reviews, especially those of Ebert, a graceful and witty prose stylist with profound erudition, whose reviews are worth reading just for themselves, whether or not I have any intention of viewing the movie ... Ebert, the smart and handsome one, gave thumbs up to my first movie [Garfield: The Movie], but [Richard] Roeper, the other one, gave thumbs down and was particularly unkind. He went on forever attacking Ebert for liking Garfield. This from a man with enough taste to praise Duma. How very disappointing. One of Roeper's complaints was that I was animated and all of the other characters in the movie were "real." Do you have any idea how a statement like that hurts an actor who has worked all of his life as a media cat? Yes, Richard Roeper, I was animated. Read my lips: I am a character in a comic strip.
--
Review of Garfield: A Tail of Two Kitties, written in the first person as Garfield. (June 16, 2006)

 
Roger Ebert

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There are directors that make one good movie their whole life, but this movie creates a buzz around the director, then they get like forever good reviews. Till someone 20 years later says, look, to be honest I liked only the one movie of that guy. In my case it’s exactly the opposite. I get trashed for whatever I do. They don’t see any difference in what I’m doing.

 
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Here’s something you don’t hear said about many movie critics: people love Roger Ebert. ... There’s a good reason for this: Ebert doesn’t stand between moviegoers and the audience. Rather, his regular readers are serious movie-lovers who see him as their rep, the guy out there fighting to make movies less stupid, more entertaining, more intelligent, more everything. You don’t have to agree with him — and I certainly didn’t in this book, when he ragged on Team America and Jesus is Magic, two movies where I laughed myself sick — to know that he’s on your side. He sees the bad movies so you don’t have to, and he’s seen the same ones over and over. ... Mere bile, though, isn’t his game; he’s as interested in why movies fail as why they work. A lot of the time, it’s obvious: because it’s made by morons for morons. In these cases, Ebert drags us through the plot in as entertaining a fashion as possible. ... Forty years on, he’s still a moviegoer’s best friend.

 
Roger Ebert
 

Occasionally an unsuspecting innocent will stumble into a movie like this and send me an anguished postcard, asking how I could possibly give a favorable review to such trash. My stock response is Ebert's Law, which reads: A movie is not about what it is about. It is about how it is about it.

 
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Roger Ebert is a national treasure. He is the most recognizable and well known movie critic. He has been my favorite writer for some time now. I do not always agree with his [[opinions], which is my right, but he always backs them up. He is not someone who will say that such and such about movie X is bad and leave it at that — he will give the reasons for his thought process.

 
Roger Ebert
 

Is that a sacrilege that I praise a Holocaust movie [Schindler's List] for being entertaining? The word doesn't imply that a movie need be cheerful. In my mind, entertainment in this genre springs from characters who are brought to full life, who we care about and who are set in a powerful story. My motto: "No good movie is depressing. All bad movies are depressing."

 
Roger Ebert
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