The beautiful Monique insists on joining their expedition and cannot be dissuaded; we think at first she has a nefarious motive, but no, she's probably taken a class in screenplay construction and knows that the film requires a sexy female lead. This could be the first case in cinematic history of a character voluntarily entering a movie because of the objective fact that she is required.
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Review of Around the World in 80 Days (June 16, 2004)Roger Ebert
Well you know, I don’t think I have never really seen a film of this genre, where the female characters' sex appeal sort of came second. I mean of course they’re sexy characters. When you have a sexy secretary, or a girl swinging around by her ankles in a cat suit, you know that’s innately sexy, but the fact is that these characters are intelligent. They’re ambitious. They’re motivated and calculated to some degree.
Scarlett Johansson
She’s like a terribly sad angel in this film. Sherilyn plays against just being a sexy and beautiful girl. Hopefully her performance in my film will show her deep talent because she certainly showed the right mix of innocence and seductiveness for the role. We needed a fresh face but also one who knew what she was doing.
Sherilyn Fenn
Alda's best-written character in the movie probably is Faith Healy, the sexy actress played by Pfeiffer. Her performance uses some wonderfully subtle touches, as she moves back and forth between her historical character and her distinctly more cynical modern one.
Michelle Pfeiffer
The propaganda [the Communist Party of Yugoslavia] used and the authority the party had won during the national liberation war and during the initial steps of the construction of Yugoslavia after the war gave the Yugoslavian working class the impression that this party was in the vanguard. In reality it was not the vanguard of the working class but of a new bourgeois class that had begun to settle in. This class relied strongly on the prestige of the national liberation war of the peoples of Yugoslavia for its own counter-revolutionary aims, while it obscured the perspectives of the construction of the new society. Such a degenerate party like this was bound to lead Titoite Yugoslavia on anti-Marxist paths.
Enver Hoxha
I saw Stay as You Are and Tess only. I didn't ask her if she saw every movie I did. I could never think about that. Why do I have to see every movie she did? Why? Sometimes she did movies with people I was bored by. I don't care about this or that director. So if she is so beautiful in a movie, it is because of her, not a director. So why should I see the movie then? As long as I am not blind, I don't need a dog to see. If I am blind, maybe I would like the dog to lead me. I am not blind. I don't have to see her movies. I know my child.
Klaus Kinski
Ebert, Roger
Ebner-Eschenbach, Marie von
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