Now that we know Quentin Tarantino can make a movie like Reservoir Dogs, it's time for him to move on and make a better one.
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Review of Reservoir Dogs (26 October 1992)Roger Ebert
Sure, Kill Bill's a violent movie. But it's a Tarantino movie. You don't go to see Metallica and ask the f**kers to turn the music down.
Quentin Tarantino
The movie opens as the drifter "inadvertently" (Araki's word, in the press kit) blows off the head of a Korean convenience store owner... It continues as the "enigmatic Xavier" (I am again quoting from the wonderfully revealing press kit) "has such rotten karma that every time they stop the car for fries and Diet Cokes, someone ends up dying in one gruesome way or another." Wait, there's more: "As the youthful band of outsiders continues their travels through the wasteland of America, Amy finds herself (having sex with) both Jordan and Xavier, forging a triangle of love, sex and desperation too pure for this world." Now let's deconstruct that. (1) The correct word is "its," not "their." (2) "Band of outsiders" is an insider reference to A Band Apart," the name of Quentin Tarantino's production company, which itself is a pun on the title of a film by Godard. (3) Is it remotely possible that America is a "wasteland" because Amy, Jordan and Xavier kill someone every time they stop for fries and a soda? That wouldn't have occurred to this movie. (4) The clause "someone ends up dying" is a passive way to avoid saying that the three characters kill them. This is precisely the same construction used by many serial killers and heads of state, who use language to separate themselves from the consequences of their actions.
Roger Ebert
A debut movie is something that you envision for many, many years. If you really want to make a movie, you constantly think about this first movie, so when you make it, you want to have everything in it.
Christoffer Boe
This is one of the movies they will use as a document, years from now, when they begin to trace the steps by which Pfeiffer became a great star. I cannot claim that I spotted her unique screen presence in her first movie, which, I think, was Grease 2, but certainly by the time she made Ladyhawke and Tequila Sunrise and Dangerous Liaisons and Married to the Mob, something was going on. This is the movie of her flowering — not just as a beautiful woman, but as an actress with the ability to make you care about her, to make you feel what she feels. All of those qualities are here in this movie, and so is the "Makin' Whoopee" number, which I can only praise by adding it to a short list: whatever she's doing while she performs that song isn't merely singing; it's whatever Rita Hayworth did in Gilda and Marilyn Monroe did in Some Like It Hot, and I didn't want her to stop.
Michelle Pfeiffer
Whenever you wash dishes, cook, or clean, if you make no sound, this is smartness itself. A person who enters a house and makes a lot of noise is revealing a lack of spirituality; even cats and dogs do not make unnecessary sounds, and man as he naturally is does not make any either.
Michio Kushi
Ebert, Roger
Ebner-Eschenbach, Marie von
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